Skip to main content

Eight Dogs, or Hakkenden: Eight Dogs, or Hakkenden

Eight Dogs, or Hakkenden
Eight Dogs, or Hakkenden
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeEight Dogs, or "Hakkenden"
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. List of Illustrations
  2. Translator’s Introduction
  3. Volume II, Continued
    1. Chapter XV
    2. Chapter XVI
    3. Chapter XVII
    4. Chapter XVIII
    5. Chapter XIX
    6. Chapter XX
    7. Colophon
  4. Volume III
    1. Covers and Endpaper
    2. Preface
    3. Table of Contents
    4. Frontispieces
    5. Chapter XXI
    6. Chapter XXII
    7. Chapter XXIII
    8. Chapter XXIV
    9. Chapter XXV
    10. Chapter XXVI
    11. Chapter XXVII
    12. Chapter XXVIII
    13. Chapter XXIX
    14. Chapter XXX
    15. Colophon
  5. Volume IV
    1. Covers and Endpaper
    2. Preface
    3. Table of Contents
    4. Frontispieces
    5. Chapter XXXI
    6. Chapter XXXII
    7. Chapter XXXIII
    8. Chapter XXXIV
    9. Chapter XXXV
    10. Chapter XXXVI
    11. Chapter XXXVII
    12. Chapter XXXVIII
    13. Colophon
  6. Appendix: Characters in Eight Dogs, Chapters I–XXXVIII

Front cover of a Japanese book. Two large white rings, each containing two dogs facing each other in an arrangement that looks like the character for “eight.” In the background are what look like pawprints on cracked ice. Back cover of a Japanese book. A large white ring containing two dogs facing each other in an arrangement that looks like the character for “eight.” In the background are what look like pawprints on cracked ice

Like Volumes I, II, and II, Volume IV of Hakkenden was originally published by Sanseidō, proprietor Yamazaki Heihachi. The first edition sported this cover, featuring the repeated motif of two dogs in a circle facing each other; the shape of the two dogs suggests the character for “eight.”

Front cover of a Japanese book. Five roundels, each containing two dogs facing each other in an arrangement that looks like the character for “eight.” In the background are what look like pawprints on cracked ice. Back cover of a Japanese book. Three roundels, each containing two dogs facing each other in an arrangement that looks like the character for “eight.” In the background are what look like pawprints on cracked ice.

Bunkeidō, proprietor Chōjiya Heibei, took over publication with Volume VIII in 1832. Shortly thereafter the blocks for Volumes I through VII came into his possession, allowing him to reprint from them. The Bunkeidō covers for Volume IV featured a re-imagining of the Sanseidō design.

A dog dressed in Chinese armor, holding a bow and arrow, beneath a constellation of stars. Author, title, illustrator, and publisher information are given beside and above the dog.

Large characters on right: The Lives of the Eight Dogs, Volume IV
Smaller characters in box, top right: Written by Kyokutei Bakin
Smaller characters in box, middle left: Pictures by Yanagawa Shigenobu
Smaller characters, unboxed, bottom right: Printed by Sanseidō
Archaic characters within illustration: Dog General
Notes: The upper element of the illustration is a constellation, drawn after the manner of Chinese star charts. It does not appear to correspond precisely to any particular constellation, but it closely resembles the chō (Ch. zhang) constellation, known in English as “extended net,” the twenty-sixth of the twenty-eight Lunar Mansions. However, the chō constellation contains six stars, while the one in the illustration contains eight (one additional star on each arm appended to the central diamond shape). The presence of stars may be a reminder of Hakkenden’s roots as an adaptation of Shuihu zhuan, whose heroes are the mortal incarnations of 108 stars that are in turn identified with demons. If a reference to the chō constellation is intended, then it may be a pun: the character for chō can also be read haru, meaning to bend or string a bow. The lower element of the illustration is a humanoid dog (or dog-headed human) dressed as a Chinese general and holding a bow. The illustration may derive from popular depictions of the twelve animals of the Chinese zodiac as generals, related to their conflation with the twelve heavenly generals associated with the buddha Bhaisajyaguru (J. Yakushi). The 1682 compendium of calendrical and cosmological lore Hoki genkai taizen includes a diagram of the chō constellation nearly identical to that in the illustration (minus the two extra stars), as well as a depiction of the dog heavenly general similar to that in the illustration.

Annotate

Next Chapter
Preface to the Lives of the Eight Dogs, Collection IV
PreviousNext
Copyright © 2024 by Glynne Walley, All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu.
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org