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THE MURIEL RUKEYSER ERA: Women and Scottsboro (1933)

THE MURIEL RUKEYSER ERA
Women and Scottsboro (1933)
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Notes

table of contents
  1. Cover
  2. Title
  3. Epigraph
  4. Contents
  5. Acknowledgments and Permissions
  6. List of Abbreviations
  7. Note on This Textual Edition
  8. Editors’ Introduction
    1. All You Have to Do Is Challenge Them: The Muriel Rukeyser Era, Eric Keenaghan and Rowena Kennedy-Epstein
  9. Author’s Introduction
    1. Biographical Statement for “Under Forty: A Symposium on American Literature and the Younger Generation of American Jews” (1944), Muriel Rukeyser
  10. PART I. THE USABLE TRUTH: FIVE TALKS ON COMMUNICATION AND POETRY
    1. 1. “The Fear of Poetry” (1940, 1941)
    2. 2. “The Speed of the Image” (1940)
    3. 3. “Belief and Poetry” (1940)
    4. 4. “Poetry and Peace” (1940)
    5. 5. “Communication and Poetry” (1940)
  11. PART II. TWENTIETH-CENTURY RADICALISM: ON POLITICS, SOCIETY, AND CULTURE
    1. 6. “The Flown Arrow: The Aftermath of the Sacco-Vanzetti Case” (1932)
    2. 7. “From Scottsboro to Decatur” (1933)
    3. 8. “Women and Scottsboro” (1933)
    4. 9. “Barcelona on the Barricades” (1936)
    5. 10. “Barcelona, 1936” (1936)
    6. 11. “Words and Images” (1943)
    7. 12. “War and Poetry” (1945)
    8. 13. “A Pane of Glass” (1953)
    9. 14. “She Came to Us” (1958)
    10. 15. “The Killing of the Children” (1973)
    11. 16. “The Uses of Fear” (1978)
  12. PART III. MEDIA AND DEMOCRATIC EDUCATION: A PHOTO-TEXT AND RADIO SCRIPTS
    1. 17. “So Easy to See” (1946), Photography-and-Text Collaboration with Berenice Abbott
    2. 18. From Sunday at Nine (1949), Scripts for Two Radio Broadcasts
      1. Series Introduction Episode One: Emily Dickinson
      2. Episode Four: The Blues
  13. PART IV. MODERNIST INTERVENTIONS: ON GENDER, POETRY, AND POETICS
    1. 19. “Modern Trends: American Poetry” (1932)
    2. 20. “Long Step Ahead Taken by Gregory in New Epic Poem” (1935), review of Horace Gregory’s Chorus for Survival
    3. 21. “In a Speaking Voice” (1939), review of Robert Frost’s Collected Poems
    4. 22. “The Classic Ground” (1941), review of Marya Zaturenska’s The Listening Landscape
    5. 23. “Nearer to the Well-Spring” (1943), review of Rainer Maria Rilke’s Sonnets to Orpheus
    6. 24. “A Simple Theme” (1949), review of Charlotte Marletto’s Jewel of Our Longing
    7. 25. “A Lorca Evening” (1951)
    8. 26. “Many Keys” (1957), on women’s poetry
    9. 27. “Lyrical ‘Rage’” (1957), review of Kenneth Rexroth’s In Defense of the Earth
    10. 28. “A Crystal for the Metaphysical” (1966), review of Marianne Moore’s Tell Me, Tell Me: Granite, Steel, and Other Topics
    11. 29. “Poetry and the Unverifiable Fact” (1968)
    12. 30. “The Music of Translation” (1971)
    13. 31. “Thoreau and Poetry” (1972)
    14. 32. “Glitter and Wounds, Several Wildnesses” (1973), review of Anne Sexton’s The Book of Folly
    15. 33. “The Life to Which I Belong” (1974), review of Franz Kafka’s Letters to Felice
    16. 34. “Women of Words: A Prefatory Note” (1974)
  14. Appendix: Bibliographic and Archival Information for Selections by Muriel Rukeyser
  15. Notes on Contributors
  16. Selected Bibliography
  17. Index
  18. Copyright

CHAPTER 8

Women and Scottsboro (1933)

The women who have played important parts in the Scottsboro case are spectacular contrasts.1 There are the two pairs: on the one side, the mothers who have been most prominent, Ada Wright and Janie Patterson, who have seen the slow sacrifice of their sons to a deepening class struggle; and, on the other, the two women who have led the boys to conviction, Ruby Bates and Victoria Price. Behind one pair stand the other mothers, and all conscious women workers—behind the other are grouped the ignorance and vulgarity of the bourgeoisie and the prejudice of the group that used to be referred to delicately as “the flower of Southern womanhood.”

The mothers have become symbols to us of the working woman lifted by catastrophe into the knowledge of her position. Mrs. Wright’s tour of Europe with J. Louis Engdahl has become a historic fact.2 A year before she started on that tour, she did not care or know about the issues that were to face her, the forces which she would have to fight to save a son. She started, with no background, and no assurance, on an international tour that was part of the wide appeal for the Scottsboro boys. She has been educated to recognize the struggle behind the case, and to enter into her part in it, by her own close and personal experience. Mrs. Patterson is rapidly repeating her career.3

But on the witness stand, the star witnesses for the prosecution repeat flimsy charges, and indict the nine boys. The two prostitutes are, unfortunately, more typical of the South than are Mrs. Wright or Mrs. Patterson.4 They repeat “rape” to a bigoted jury, and Haywood Patterson is again convicted.5

These are the two main parts played in the trial by women. There was also Carol Weiss King, one of the four I.L.D. lawyers who assisted in the final preparation of the defense, and spoke and worked for the boys’ release.6

But these women have immediate and personal interests in the case. To know what the woman thrown by accident in contact with the Scottsboro case must feel, we may turn to Decatur itself, a town with a recent and artificial concern in the trial.

The courtroom tells our story. During the court proceedings, there were three other white women regularly present: Joseph Brodsky’s sister, who sat near the lawyer on the official side of the barrier and who took a studious interest in the process of the case, Mary Heaton Vorse, of the New Republic, and another student.7 There were one or two stenographers, one or two town girls who came, dressed in starched new clothes, to talk and be seen and to see who was there. There were no women representatives of the industrial workers, nor of any workers’ organization or press. There were Negro workingwomen of the town, some quite young, some older, who brought their children with them. The women made up almost one third of the Negro court attendance, in a Jim Crow courtroom whose bailiff had forbidden the presence of Negroes. The white women were conspicuous because they were so few. And, during the testimony of Victoria Price and Ruby Bates, when the court was ordered cleared of women, there were no visitors.

The townswomen of Decatur are divided in feeling. Most of them, the crisp leisure class, the office workers, waitresses, are indifferent. When they do express an opinion, it is ingrained with prejudice. I talked to one woman who believed the boys should be free if they are innocent. But her reason was based on the fact that she ran a filling-station, and had seen hundreds of Ruby Bateses, of Haywood Pattersons, of homeless families, take to the roads, hitching aimlessly or in search of jobs, from town to town in Alabama.8 As we stood talking, she pointed down the highway. “There’s one, now,” she said. Far down the road walked a man carrying his coat, and a woman leading a small child. A Model T Ford sputtered around a bend. They hailed it. The man driving slowed down, stopped, let them in. They drove past the filling-station. “They come like that every day past here, sometimes one, sometimes two, sometimes with children,” she said. “They’ve been more than ever these last three, four years. And my husband says how freights are ten times worse.” But she was pushing the prostitutes’ testimony away, and excusing their position, justifying it, not accepting the innocence of the boys.

The Negro women of the town appear in numbers in and around the courtroom, and these numbers are an index of their strength. The working woman’s strength is an important factor in the case, since so many of its issues depend on women’s problems.

Indeed, the fundamental issues of the Scottsboro case are more clearly tied up with the problems of the woman worker than has been pointed out. The fact that the boys were dependent on their mothers in Atlanta and Chattanooga when they were sent by freight to look for jobs; the fact that prostitution has played so large a part, socially and in the case (here we can remember the State’s star witnesses in the Sacco-Vanzetti case, the Mooney case, and now the Scottsboro case, have all been prostitutes); all these should bring the case home to the woman worker.9

Our problem in the remainder of the battle is one of organizing and educating. In the North, we can rally, protest, be our classes’ voice. In the South, there is even more to do: the century-long prejudices must be fought even harder, the old cry of “Rape! Rape!” whenever a Negro is to be persecuted must be drowned out, the whole problem of employment for women must be examined, the facts of prostitution made clear.

These are less immediate than the day-to-day cooperation which must be given to the I.L.D. in the defense of the Scottsboro Boys. The case has long ago become the property of the working class. The woman worker must accept its problems and devote her energies to further the fight to free the Scottsboro boys, and to save the problems which have led to their condemnation.

(Unpublished, 1933)


1. On fc, in holo. under Rukeyser’s byline: “An Eye-witness.”

2. In 1932, Ada Wright traveled through Europe with J. Louis Engdahl, the International Labor Defense’s national secretary, stationed in Moscow, to draw attention to her son’s trial.

3. After their sons’ convictions, Janie Patterson and Ada Wright regularly spoke at rallies sponsored by the International Labor Defense and the National Association for the Advancement of Colored People.

4. Price allegedly supplemented her income through sex work. Bates had been married three times and was not a sex worker. On fc, Rukeyser struck a judgmental sentence here: “Completely cheap, completely tough, ready to be used for anything.”

5. Patterson and the other defendants, tried and found guilty in Scottsboro, were retried in Decatur following the US Supreme Court’s ruling, in Powell v. Alabama (1932), that the initial proceedings violated due process.

6. The International Labor Defense (ILD), the Communist Party USA’s legal defense arm, headed the Scottsboro Nine’s appeals to the Alabama and US Supreme Courts and later assisted defense lawyers with the retrials.

7. Joseph Brodsky, a member of the defense team; Mary Heaton Vorse, a writer and social justice activist reporting for liberal and leftist outlets.

8. The Scottsboro Nine and their accusers did not hitchhike or drive to look for employment. Like many others during the Great Depression, they migrated instead by “riding the rails.” They had illegally boarded a freight train from Chattanooga, Tennessee.

9. Nicola Sacco, Bartolomeo Vanzetti, and Tom Mooney, leftist organizers falsely accused of, and imprisoned for, violent crimes. See Muriel Rukeyser, “The Flown Arrow,” in this volume.

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