Skip to main content
Menu
Contents
Seeing Things: Virtual Aesthetics in Victorian Culture: Title Page
Seeing Things: Virtual Aesthetics in Victorian Culture
Title Page
Visibility
Show the following:
Annotations
Yours
Others
Your highlights
Resources
Show all
Reader Appearance
Adjust appearance:
Font
Font style
Serif
Sans-serif
Decrease font size
Increase font size
Decrease font size
Increase font size
Color Scheme
Light
Dark
Annotation contrast
abc
Low
abc
High
Margins
Increase text margins
Decrease text margins
Reset to Defaults
Search
Enter search criteria
Execute search
Search within:
chapter
text
project
Sign In
avatar
Edit Profile
Notifications
Privacy
Log Out
Project Home
Seeing Things
Projects
Sign In
Learn more about
Manifold
Notes
Close
table of contents
Cover Page
Title Page
Dedication Page
Contents
Introduction: What Was the Virtual?
1. Magic Panic: The Pedagogy of Disenchantment
2. The Mirror of Ink: Realism, Orientalism, and Vision at a Distance
3. Mountains of Light: The Koh-i-Noor at the Great Exhibition
4. Recalled to Life: Phantasmagoria as the History of the French Revolution
5. Spinning in Place: Trapped in the Moving-Picture Machine
Epilogue: Arrival of a Train
Notes
Acknowledgments
Bibliography
Index
Copyright Page
About This Text
SEEING THINGS
Virtual Aesthetics in Victorian Culture
Amanda Shubert
CORNELL UNIVERSITY PRESS
Ithaca and London
Annotate
Close
Next Chapter
Dedication Page
Previous
Next