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Dickens’s Idiomatic Imagination: Index

Dickens’s Idiomatic Imagination
Index
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Notes

table of contents
  1. Acknowledgments
  2. Introduction
  3. 1. The Beginnings of Dickens’s Idiomatic Imagination
  4. 2. “Shouldering the Wheel” in Bleak House
  5. 3. “Brought Up by Hand”
  6. 4. Sweat Work and Nose Grinding in Our Mutual Friend
  7. Conclusion
  8. Appendix A
  9. Appendix B
  10. Appendix C
  11. Bibliography
  12. Index

INDEX

Note: page numbers in italics refer to figures.

  • Ada, 82, 97, 101, 103; Esther and, 106; Richard and, 96, 106, 110
  • Addison, Joseph, 7, 10, 12, 23, 32
  • Aesop, 84, 90n8, 92, 96, 122, 123; “shoulder to the wheel” and, 90
  • aesthetics, 11, 17, 38, 159; physiological, 23
  • affectionate lunacy, 117
  • Akershem, Sophronia, 192, 200, 201, 202
  • Alford, Henry, 15
  • All the Year Round, 13, 46, 46n19, 127, 131n11, 132, 154, 154n27, 155; body idiom titles in, 16; sales of, 171
  • Allard, James: hypersensible body and, 23n39
  • Allison, Sarah, 5–6, 12
  • Altick, Richard, 103, 123
  • American, The (James), body idioms in, 219
  • Andrews, Malcolm, 9, 98, 100
  • Angelou, Maya: “hurt people hurt people” and, 139n16
  • Anglican Book of Common Prayer, 175
  • animality, 144, 149n23, 156, 159, 161, 162; racialized, 151
  • Armstrong, Nancy, 69, 105, 106n14
  • “Attorney and client, fortitude and impatience,” 112
  • Attridge, Derek, 221
  • Austen, James, 219
  • Austin, J. L.: theory of speech acts of, 180n12
  • Badger, Bayham, 106
  • Bagnet, Mrs., 116, 117, 117n20
  • Bagstock, Joey, 218
  • Bagstock, Major, 39, 40, 40, 42, 43, 49, 52, 62, 77; Dombey and, 41; “right-hand man” and, 41, 47, 103
  • Bakhtin, Mikhail, 35, 36, 42n13, 43, 47, 47n20, 103, 131, 158, 193; on grotesque style, 120n23; heteroglossic discourse and, 39; on language/historical life, 130; parodic stylizations and, 174; socio-verbal intelligibility and, 144; sociological stylistics of, 17; speech diversity and, 22
  • Bannister, John, 145, 146
  • barbarism, 8, 11, 165
  • Barchester Towers (Trollope), 225
  • Barley, George, 19
  • Barnaby Rudge (Dickens), 6n10, 31n1, 91, 149, 175
  • Barthes, Roland, 126
  • “Beadle—The Parish Engine—The Schoolmaster, The” (Dickens), body idiom in, 24
  • Beadnell, Maria, 29
  • Beamish, Richard, 151
  • “Beamish’s gorilla hand plate,” 152
  • “Beamish’s navy hand plate,” 153
  • Becoming Dickens (Douglas-Fairhurst), body idioms in, 227
  • Beer, Gillian, 148, 156–57n28, 168
  • Beeton, Isabella, 132, 135
  • Bell, Charles, 145, 146, 150, 161, 146n19
  • Bell, Marion, 146, 150
  • Bentinck, George, 85
  • Bentley’s Miscellany, 16, 21, 35, 46n19
  • Bernstein, Susan David, 147
  • Best, Stephen, 4–5, 6
  • Bible, 2, 145, 175, 176, 176n6
  • Biddy, 28n43, 130, 169–70
  • Blackwood’s, 16, 46n19
  • Blake, William, 23
  • Bleak House, stay at, 121, 124
  • Bleak House (Dickens), 6, 13, 28, 79, 96–97, 111, 114, 119–20, 122–23; body idioms in, 10, 13n21; cohesive effect of, 80–81; Dombey and Son and, 82; filial identification in, 161; idiomatic humor of, 98–101; imagery/theme of, 103; length of, 83; plans for, 92–93; praise for, 80; prospective titles for, 81; puns in, 108; representations of work in, 107; responsibility in, 116, 224; “shoulder to the wheel” and, 17, 84, 85, 88, 89, 90, 91, 92, 103, 107, 125; working titles for, 127n6
  • Blimber, Doctor, 62, 69, 70
  • Bloom, Stephen, 222
  • “Blunders of Dickens and His Illustrators” (Philip), 77
  • Bodenheimer, Rosemarie, 89, 206n33; body idiom and, 226–27; mysterious interplay and, 79; on parody, 179; on self-creation, 17–18; on use/misuse of language, 174n2
  • Bodily Nature of Consciousness, The (Wider), 21
  • Body Economic, The (Gallagher), 225
  • body idioms: body behind, 18–23; (in)visibility of, 12–14; measuring, 226–27; number of, 22, 25, 224; relying on, 175–86; tinkering with, 11–12; using, 2–3, 5, 7–12, 24, 30, 46, 174, 220, 225; workaday, 135
  • Body Idioms Used per 100,000 Words, 3 (table)
  • body language: early Dickensian, 2327; idiomatic, 11, 218, 223; use/misuse of, 174n2
  • Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reasoning, The (Johnson), 21
  • Boffin, Dusty, 202, 209; “nose to the grindstone” and, 210, 211; Wegg and, 211
  • Boffin, Mr. and Mrs., 177, 186, 187, 205, 209
  • Boll, Ernest, 214, 216
  • Bolo, Miss, 25, 26
  • Book of Household Management (Beeton), 132
  • Book of Memoranda (Dickens), 126n2, 195
  • Booth, Alison: “mid-range” reading and, 6
  • “bound out of hand,” 143, 167
  • Bounderby, Josiah, 49, 185, 201n29
  • Bourdieu, Pierre, 181; on language/body technique, 180; linguistic exchanges and, 180; social values and, 163; theory of speech acts and, 180n12
  • Bowen, John, 48, 89, 182
  • Bowles, Hugo, 10n19, 181n13
  • Bradbury, Nicola, 92, 119, 122–23, 210; work and, 177, 194
  • Bradbury and Evans, 74, 89
  • Brantlinger, Patrick, 151, 177
  • Brass, Sampson, 27
  • Brattin, Joel, 207
  • Breen, Henry, 15
  • Bridgewater Treatise, 146, 146n19, 150
  • Briefel, Aviva: on racialized hands, 156
  • British Library Newspapers Digital Archive, 35, 35n5, 47, 85, 135, 197; “brought up by hand” appearances in, 133; “nose to the grindstone” appearances in, 198; “right-hand man” appearances in, 33; “shoulder to the wheel” appearances in, 86
  • British Periodicals Archive, 35, 35n5, 47, 85, 135, 197; “brought up by hand” appearances in, 134; “nose to the grindstone” appearances in, 199; “right-hand man” appearances in, 34; “shoulder to the wheel” appearances in, 87
  • British Zoological Society, 148
  • Bromwich, David, 78
  • Brontë, Charlotte, 3, 63n34, 225, 226; body idioms and, 1
  • Brooks, Peter, 49, 159, 137n12
  • “brought up by hand,” 3, 135, 136, 137, 139, 140, 141, 144, 145; appearances of, 133, 134; breastfeeding and, 13, 28n43; nature/nurture and, 162–63; uniqueness of, 129; using, 6, 17, 130, 132, 155, 167, 169, 170, 171; variations of, 131
  • Brown, Carolyn, 167–68
  • Brown, Margaret, 129
  • Browne, Hablôt K., 50, 51, 52
  • Buckland, Adelene, 147
  • Bunsby, Jack, 36, 49
  • Bunyan, John, 90
  • Burnett, Henry, 20
  • Butler, Judith, 103
  • Butt, John, 25n42, 37, 90, 90n8, 126n1, 127n6; on Bleak House, 80; Great Expectations and, 126
  • Buzard, Jim, 82
  • Captain Cuttle (play), 50n22
  • “Captain Cuttle consoles his friend,” 50
  • Carey, John, 98, 182
  • Carker, Harriet, 45
  • Carker, James, 39, 41, 42, 43, 47, 53, 57, 68, 98; characterizations of, 67n38; Cuttle and, 60, 99; Dombey and, 67; Edith and, 69; as “right-hand man,” 45, 49, 50, 62, 63, 65, 66, 74
  • Carker, John, 4
  • Carlyle, Thomas, 88, 92, 151, 197; Dickens and, 88n5, 152; Hard Times and, 88n5
  • Carroll, Lewis, 227
  • Carstone, Richard, 82, 83, 95, 104, 105, 108, 111, 118, 122, 123; Ada and, 96, 106, 110; Chancery suit and, 125; character of, 96, 98, 109; death of, 113, 122; downfall of, 107; Ixion and, 124; Jarndyce and, 101; “shoulder to the wheel” and, 97, 98, 107; Vholes and, 114
  • Casey, Edward: on imagination, 216
  • Cervantes, Miguel, 219
  • Chadwyck-Healey Nineteenth-Century Fiction, 4, 46, 46n16, 89n7
  • Chambers, Robert, 146, 147, 148, 149, 150, 161
  • characteristics/characters, idiomatic, 186–93
  • Charles Dickens: The World of His Novels (Miller), 17
  • Charles Dickens and “Boz” (Patten), 17
  • “Charlotte Brontë” (Woolf), body idioms in, 223
  • Chartism (Carlyle), 151
  • Chase, Karen, 104, 105, 224
  • Cheadle, Brian: on work, 177
  • Chesterton, G. K., 125
  • Chick, Miss, 38, 65
  • Christmas Carol, A (Dickens), 6n10, 22, 31n1
  • circularity, idiom of, 80–84
  • Coavinses, 101–2
  • Coleman, Rosemary, 60
  • Coleridge, Samuel Taylor: Dickens and, 23
  • Collins, Wilkie, 127, 172, 197, 225
  • Compeyson, 126n2, 142, 143, 157
  • Connor, Steven, 81, 193
  • context, intertext and, 84–85, 88–92
  • Copperfield, David, 10, 18, 82, 122n27, 124, 129, 191n21; industriousness of, 83
  • Corbett, Mary Jean: on Woolf, 223
  • Cornhill, 16, 46n19
  • Country and the City, The (Williams), 80
  • Coutts, Angela Burdett, 88
  • criminality, 165; manual labor and, 170
  • Culler, Jonathan, 61, 61n32, 61n33; close reading and, 6
  • Culliwick, Hannah, 158, 158n29
  • Curtis, L. Perry, 151
  • Cushman, Miss, 218
  • Cuttle, Edward, 17, 36, 37, 41, 43, 45, 48, 50, 89, 208; appearance of, 52; Carker and, 60, 99; critical treatment of, 60; disability for, 53, 54, 55, 58, 60, 61; Dombey and, 51, 72; Edith and, 71; Florence and, 60, 61, 62, 69; illustrations of, 50; as major character, 78n42; motility and, 59n31; planning, 39;prosthesis of, 49, 59, 60, 62, 74; resourcefulness of, 56; as “right-hand man,” 38, 52–53, 55, 57, 59–60, 62–63, 78, 98; title page placement of, 78
  • Cuvier, Georges, 147
  • Cyberformalism (Shore), 5
  • Daily News, 35, 85
  • Dallas, E. S., 171
  • Dames, Nicholas, 20
  • Daniel Deronda (Eliot), 225
  • Dartle, Rosa: grindstone and, 195
  • Darwin, Charles, 145, 147, 148n23, 149, 151, 161; interconnection and, 156; theory of evolution and, 148; theory of natural selection and, 148–49n23
  • data mining, 4, 5, 6, 46n18
  • David Copperfield (Dickens), 6n10, 10, 31n1, 52n25, 79, 79n44, 125, 129, 195, 225; character initials in, 92; as Dickens’s favorite, 223; physical abuse in, 135; publication of, 88, 88n5; rereading, 130, 154
  • Davis, Lennard: disability and, 54, 62, 71; normalcy and, 53n26
  • Day’s Ride, A (Lever), 127
  • De Cerjat, W. F., 172
  • De Certeau, Michel, 22
  • De Man, Paul, 224
  • De Saussure, Ferdinand, 180n12
  • Dear Reader (Stewart), 225
  • deception, 129, 174, 193–97
  • Dedlock, Lady, 123, 160
  • Dedlock family, 93, 94
  • Deering, Dorothy, 16, 46n19
  • Derenzy, George Webb: Cuttle and, 57
  • Derrida, Jacques, 145
  • Dickens, Catherine, 88
  • Dickens, Charles: compulsive exercise of, 20; education of, 2; imaginative life of, 29; OED citations of, 220–21; organizational process of, 80–81; physical energy of, 19
  • Dickens, Kate: on father/women, 28n44
  • Dickens, Mamie: on father’s writing, 19
  • Dickens and His Illustrations (Kitton), 77
  • “Dickens and Illustration: A Matter of Perspective” (Solberg), 77
  • Dickens and the Trials of Imagination (Stewart), 9n18, 17, 220
  • Dickens at Work (Butt and Tillotson), 37
  • Dickens Theatre, The (Garis), 19
  • “Dickens’s Figurative Style” (Gribbles), 48
  • “Dickens’s Rhythms” (Douglas-Fairhurst), 48
  • Dickens’s Style (Tyler), 48
  • Dictionary of the English Language, A (Johnson), 8, 11
  • Dictionary of National Biography (Stephen), 9
  • Digital Dickens Notes Project, 98
  • Digital Textual Studies, 1
  • disability, 51–62, 71–72, 74
  • discourse, 35, 39, 135, 144; double-voiced, 43, 103; everyday, 24; popular, 47
  • Dodson and Fogg, 25, 194
  • “dog-eat-dog,” 205, 205n31
  • Dombey, as anagram, 56
  • Dombey, Edith, 41, 43, 47, 48, 48n21, 64, 65, 99; Carker and, 69; Cuttle and, 71; defiance by, 69n40; endurance of, 67; feminine solidarity with, 66; Florence and, 66
  • Dombey, Fanny, 48n21
  • Dombey, Florence, 38, 50, 53, 57, 59, 65, 71, 72, 73, 99; Cuttle and, 56, 60, 61, 62, 69; feminine solidarity with, 66; marriage of, 70; Polly and, 48; “right-hand man” and, 55; as “right-hand woman,” 62, 70
  • Dombey, Mr., 38, 39, 45; appearance of, 52; autonomy/superiority and, 53; Bagstock and, 41; Carker and, 67; Cuttle and, 51, 72; disability and, 62, 74; Edith and, 41, 65, 66; Florence and, 66–67, 69–73; inspection by, 65; milk kinship and, 64; party by, 43–44; “right-hand man” for, 40–41, 42, 43, 44, 49, 63; “right-hand women” and, 64
  • Dombey, Paul, 38, 48, 64, 69; death of, 72; education of, 70
  • Dombey and Son (Dickens), 6, 17, 27, 49, 91, 98, 99, 105, 127, 130; Bleak House and, 82; body idioms in, 13n21, 46; commercial/domestic contexts of, 13; criticism of, 60; (dis)ability and, 51–62; embodied rhetoric of, 38–47; end of, 73–74, 77–79; feminine competence and, 63; framing themes in, 55; idiomatic beginning in, 73–74, 77–79; idiomatic expressions and, 30, 31, 38, 50, 79; illustrations for, 74; length of, 83; Marryat influence on, 37n10; masculinity and, 60; new title-page vignette for, 76; planning of, 30–32, 35–38, 72, 78, 80; puns in, 108; “right-hand man” and, 28, 32, 36, 37, 38–47, 48, 51, 59–60, 84, 103; “right-hand manness” in, 49; “right-hand women” in, 62–67, 69; serial number cover design, 75; stage adaptations of, 50n22; themes of, 37–38; writing, 35, 38, 74, 79
  • Douglas-Fairhurst, Robert, 20, 22, 22n16, 48, 89, 173; body idiom and, 226–27; on Dickens’s vocabulary, 63
  • Dowling, Linda, 15
  • Doyce and Clennam, 196
  • Drucker, Johanna: digital tools and, 4
  • Drummle, Bentley, 148n23, 165
  • Du Chaillu, Paul, 148, 149, 150, 161
  • Dumas, Alexandre, 219
  • Dupin, August, 147
  • Eagleton, Terry, 92, 103, 105, 155, 224, 225, 226; on Bleak House, 91
  • Edinburgh Review, 15, 16, 46n19
  • Elfenbein, Andrew, 63, 70
  • Eliot, George, 3, 8, 225, 227; body idioms and, 2, 226
  • Eliot, T. S., 80, 217
  • Emre, Merve: on Ulysses, 222
  • Enchiridion: or A Hand for the One-Handed (Derenzy), 57
  • Engels, Friedrich, 166
  • English in Nineteenth-Century England (Görlach), 32
  • English Novel, The (Eagleton), 226
  • Errors in the Use of English (Hodgson), 221
  • Estella, 127, 129, 130, 136, 139, 154, 157, 159, 161–66; “brought up by hand” and, 163; fate of, 138; hands of, 159, 160, 162; Havisham and, 137, 137n13, 138, 149n23, 163–64; identity of, 167; Molly and, 156, 161; origins of, 156, 168; physical violence and, 165; Pip and, 138, 156, 162, 163, 164–65; sociodemographic assessment of, 138
  • Evelina (Burney), 146n18
  • Examiner, The, 35n6, 85, 147
  • Explorations and Adventures in Equatorial Africa (du Chaillu), 150
  • Eyre, Jane: disparagements of, 1
  • Feenix, Cousin, 43
  • Ferguson, Frances, 31
  • Fiction and Repetition (Miller), 30
  • Fielding, K. J., 179, 179n10, 214n37
  • finance capital industry, 172, 175
  • Firth, William: on Dickens, 20
  • Flanders, Judith: phraseological peculiarity and, 46
  • Flaubert, Gustave, 219
  • Fledgeby, Fascination, 187, 192, 202, 210, 212; described, 205; Lammle and, 203–4; marriage of, 201; reputation of, 191; “sweat of the brow” and, 193
  • Flint, Kate, 80, 82, 92
  • Ford, George, 9, 90
  • Forster, John, 18, 85, 91, 92, 127, 128, 129, 130, 175, 197; on Dickens, 20–21; on Our Mutual Friend, 172
  • Forster, Robert, 9
  • Foucault, Michel, 117n21, 138n14, 139; energeia and, 21; philology and, 16–17
  • Fowler, H. W., 221
  • Fraser’s, 16, 46n19
  • Furneaux, Holly, 61, 140, 177
  • Gad’s Hill, 36, 150, 161
  • Gallagher, Catherine, 189, 215, 225
  • Gane, Gillian, 60
  • Gargery, Joe, 129, 130, 132, 139n16, 157, 164, 169; nature of, 141; nurture of, 168; Pip and, 139, 140, 143; restorative touch of, 140
  • Gargery, Mrs. Joe, 129, 132, 135, 137, 141, 164; “brought up by hand” and, 143; physical abuse by, 139, 140; Pip and, 139, 140, 167
  • Garis, Robert, 19
  • Garland-Thomson, Rosemarie, 54, 54n27
  • Gay, Walter, 36, 39, 45, 56, 57, 66, 70, 73; “right-hand man” for, 52–53, 55
  • General Theatrical Fund, 88, 89, 93
  • “George Eliot” (Woolf), body idioms in, 223
  • George, Trooper, 116, 117, 125; Phil and, 118–19, 120
  • Gershick, Thomas, 61
  • Gibson, Anna, 97, 98
  • Gilbert, Pamela, 148n22, 151
  • Gills, Solomon, 36, 39, 45, 48, 57, 72, 74
  • Gitleman, Lisa, 4
  • Gliddery, Bob, 184
  • Golden Bowl, The (James), body idioms in, 219–20
  • Goodlad, Lauren, 82, 92, 95
  • Gore, Clare Walker: on Cuttle, 78n42
  • Gorilla, 155; manual savagery of, 154; Negro and, 151
  • Görlach, Manfred, 32, 35, 85
  • “Gospel of Work,” 82–83, 88, 173
  • Gradgrind, Mr., 195
  • Graham’s Magazine, 147
  • Granger, Edith, 40, 62
  • Grass, Sean, 175, 213
  • Great Expectations (Dickens), 6, 13, 127, 129, 131, 146, 149–50, 166–67, 169, 172; “brought up by hand” and, 17, 28n43, 135, 142, 144, 154, 156, 156–57n28, 158, 171; character names for, 126n2; complexity of, 128; conscious repetitions in, 130; Darwinian criticism and, 148n23; filial identification in, 161; hands in, 131n10, 158, 159; idiomatic dimension for, 128; “nose to the grindstone” and, 197; nurture and, 135–36; publication of, 132; violence in, 178; writing, 139, 145, 154, 155, 156, 161, 171
  • Grener, Adam, 97–98
  • Gribbles, Jennifer, 48
  • grinding, 200n26, 207, 208, 210
  • grindstone, 207; body-length, 196; figurative, 197; social, 200–201
  • Guppy, 114, 160
  • “Hackney-Coach Stands” (Dickens), 24
  • hand, 148, 178; clutching power of, 157, 158; conceptions of, 145; critic’s, 224–27; idiomatic, 126–31; mechanism/vital endowments of, 146; narrative sleight of, 159–65; preponderance of, 131; racialized, 156; secret freemasonry of, 169; transformation of, 165–70; wild/violent, 159. See also “brought up by hand”
  • Hand, The (Bell), 146, 146n19
  • Hand: Its Mechanism and Endowments as Evincing Design, The (Bell), 150
  • “hand of God,” 145, 145n18
  • Handel, 143, 168; “brought up by hand” and, 170
  • Hansard Corpus, 32
  • Hard Times (Dickens), 6n10, 31n1, 49, 150, 175, 185, 218; Carlyle and, 88n5; “nose to the grindstone” and, 195, 201n29
  • Hardy, Barbara, 69, 220, 222
  • Hardy, Thomas, 3, 42n13
  • Harmon estate, 179, 210, 211, 212
  • Harmon murder, 180n11, 181, 183, 212
  • Hartley, Jenny, 25n42, 69n40, 101
  • “haunted lady, or ‘the ghost’ in the looking glass, The,” 190
  • Havisham, Miss, 28n43, 127, 129, 130, 142, 157, 166, 167; Estella and, 137, 137n13, 138, 149n23, 163; nurture of, 164; Pip and, 161
  • Hawes, Donald, 36n7
  • Hayles, Katherine: hyper-reading and, 6
  • Hazlitt, William, 23, 23n38, 24
  • Headstone, Bradley, 186; defacement of, 209; nose bleeding of, 209; Wrayburn and, 184, 184n16, 185, 206, 206n33, 207–8
  • Hecimovich, Gregg, 215
  • Heidegger, Martin, 145
  • Hercules, 84–85
  • “Hercules and the Wagoner” (Aesop), 84–85
  • heteroglossia, 43, 103, 104
  • Hexam, Charley, 185
  • Hexam, Gaffer, 177, 177n7, 179, 182, 183, 186; description of, 178; Harmon murder and, 181; work of, 191
  • Hexam, Lizzie, 28, 185, 186, 206, 207, 208, 209; Betty’s death and, 188; hands of, 178; work and, 177, 177n8
  • Heywood, John, 200
  • Higden, Betty, 28, 186, 187, 188, 190, 210
  • High Court of Chancery, 81, 83, 88, 97, 106, 113, 121, 122, 183
  • Historie of Man (Bannister), 146
  • Histories of Linguistic Forms (Shore), 5
  • Hodgson, William Ballentyne, 221
  • Hogarth, Georgina, 63
  • Hogarth, Mary, 29
  • Holmes, Martha Stoddard, 54, 55
  • Holofernes, Judith and, 69, 69n39
  • Hood, Thomas: poem by, 189, 189n18
  • Horne, Richard, 88
  • House, Humphry: on Dickens, 176
  • House, Madeline, 129
  • Household Words, 2, 16, 21, 46n19, 88, 113, 114, 154, 155
  • Houston, Gail Turley: on Esther’s hand, 104
  • Humanism and Democratic Criticism (Said), 17
  • humor, idiomatic, 98–101
  • Humphrey, Master, 26
  • Ideas to a Pure Phenomenology (Husserl), 19n28
  • identity, 120n26, 137n12, 145, 160, 164, 167; biological, 169; masculine, 61, 61n33; moral, 169; social, 69, 180; spectrum of, 56
  • idiom absorption, 13, 49, 91, 104, 224
  • idiom convergence, 209–12
  • idiomatic expressions, 12–13, 18, 22, 26, 37, 78, 98, 131, 135, 162; affinity for, 27; emergence of, 171–75; as linguistic burrs, 47; origins of, 11, 23; using, 10, 24
  • idiomatic language, 11, 16, 30, 162; experimenting with, 220; literal and figurative meanings of, 221; using, 1, 2, 2n1, 7, 110
  • idiomatic narrative contingency, handling, 131–32, 135–44
  • idiomaticity, 144, 158; intentionality and, 212–16; masculinized, 28; nasal, 49
  • idioms: at full circle, 123–25; class-defining, 92–98; contextualizing, 6; dominant, 104; embryonic, 23–27; expansion of, 106–17; foot-related, 25; identifying, 6; isolating, 13; licentious, 8, 11, 220; manners and, 8; origins of, 30–32, 35–38; rhetorical variations of, 29; term, 7–8; using, 1, 7n12, 196
  • imagination, 5, 61, 171, 189, 216, 220; creative, 212; development of, 17, 29, 31; fictional, 3; idiomatic, 5, 26–29, 69, 73, 79, 91, 98, 103, 114–15, 119; mature, 216
  • Imagining, phenomenological study of, 216
  • Ingham, Patricia, 42
  • Inimitable, 3, 10–11, 110, 216, 218, 220, 227
  • intention, philology and, 14–18
  • intentionality, idiomaticity and, 212–16
  • interconnectedness, 144, 156, 158, 159, 166, 167, 215
  • intertext, context and, 84–85, 88–92
  • Irish Railway Bill, 85
  • Ixion, 109, 109n16, 124
  • Jaffe, Audrey, 206, 214
  • Jaggers, Mr., 138, 141, 143, 156, 170; Molly and, 159
  • Jakobson, Roman, 61n32, 61n33
  • James, Henry, 173; body idioms and, 217–23; Dickens and, 219, 220
  • James, Stephen, 209
  • Jane Eyre (Brontë), 63n34, 225
  • Jarndyce, John, 81–82, 83, 95, 100, 102, 104, 106–7, 110, 114, 122; Richard’s character and, 96, 98, 101
  • Jarndyce, Tom, 81–82, 95, 109
  • Jarndyce suit, 81–82, 97, 107, 108, 114
  • Jellyby, Caddy, 98, 99, 119n22, 124, 125
  • Jellyby, Mr., 119, 119n22
  • Jellyby, Mrs., 119, 125
  • Jo, 82, 120, 123; death of, 122; Phil and, 121; Turveydrop and, 121
  • Jobling, Tony, 114
  • Joe B., 42, 44
  • “Joe B. is sly, sir, devilishly sly,” 44
  • Johnson, Mark, 21, 21n33, 23
  • Johnson, Samuel, 10, 11, 12; idiomatic phrasing and, 8; licentious idioms and, 220
  • Jordan, John O., 89, 89n6
  • Joseph, Gerhard, 57, 216n38
  • Joseph Rushbrook (Marryat), 36n8
  • Joyce, James: artistic language of, 221; Dickens and, 220–21; idiomatic body in, 217–23; imaginative language of, 222; literal/figurative meanings and, 222; wordplay by, 222
  • Joyce, Simon, 90
  • Joyce’s Voices (Kenner), 221
  • Judith, Holofernes and, 69, 69n39
  • Kant, Immanuel, 18n26, 145
  • Kaplan, Fred: notion and, 195
  • Kemble, Charles, 19
  • Kemble, John Mitchell, 14, 15
  • Kenner, Hugh, 221
  • Kent, Duke, 42
  • Kiely, Robert, 214
  • King Lear (Shakespeare), 164n31
  • Kitton, Frederic, 77
  • Knoepflmacher, U. C., 98, 174n4; on “nonnurturant” upbringing, 136; on Our Mutual Friend, 214–15
  • Knowing Dickens (Bodenheimer), 17
  • Kreilkamp, Ivan, 9n17, 50n22, 157n28
  • Krook, 114, 115, 116, 157n28
  • labor, 165, 181, 182, 185, 186, 188, 193; conceptions of, 178–79; criminality and, 170; lower-class, 161; manual, 170; relationships to, 177; of writing, 197. See also work
  • Lakoff, George, 21, 21n33
  • Lammle, Alfred, 187, 200, 201–2, 210; Fledgeby and, 203–4; nose of, 202n30, 203, 205; “nose to the grindstone” and, 205; reputation of, 191–92; Riah and, 192
  • language: colloquial, 7, 9, 32; common, 2, 15, 32, 39, 144; creative informality of, 220; doodling, 25; English, 11, 15, 46n19; “familiar style,” 23; figurative, 38; literary, 15; physiological theories of, 21; popular, 15; purity, 16; social history of, 46; “vulgar,” 15, 32. See also idiomatic language; vernacular language
  • language alteration, 7, 46, 158, 182
  • Language and Symbolic Power (Bourdieu), 180
  • Law, Jules, 64, 65
  • Lectures on the Science of Language (Müller), 15n24
  • Ledger, Sally, 85, 177, 205, 205n31
  • Leicester, Sir, 93, 94, 95, 96, 106
  • Letters of Charles Dickens (House, Storey, Tillotson, and Brown), 129
  • Levenson, Michael, 104, 105, 224
  • Lever, Charles, 127, 131n11
  • Levine, George, 154, 156n28, 216, 216n38
  • Lewes, George Henry, 8, 91, 98, 161
  • Life and Labours of Hablot Knight Browne, “Phiz” (Thomson), 77
  • Lightwood, Mortimer, 28, 177, 179, 181, 182, 184, 207–8, 212; “sweat of the brow” and, 183
  • listening, walking and, 22n36, 23
  • listening narrator, 42, 42n13, 43, 103, 110
  • literacy, rise of, 32, 85
  • Little Dorrit (Dickens), 6n10, 31n1, 45n15, 127n6, 195–96, 218
  • Little Nell, 54, 150
  • Lougy, Robert, 90
  • Lyrical Ballads (Wordsworth), 23
  • Lytton, Bulwer, 197
  • Magwitch, Abel, 128, 130, 149n23, 157, 170; “brought up by hand” and, 141, 142; hands of, 166, 167n33; Molly and, 156, 164; Pip and, 141, 142, 156, 165–66, 166–67, 168–69
  • Mahlberg, Michaela, 5n6, 5n8
  • “Major Bagstock is delighted to have that opportunity,” 40, 77
  • manual anxieties, coming to grips with, 144–59
  • Marcus, Sharon, 4–5, 6
  • Marcus, Steven, 22, 25, 25n42
  • “Market Gardens” (Dickens), 155
  • Marryat, Frederick, 36, 37n10, 46, 57; novels by, 36n8
  • Martin Chuzzlewit (Dickens), 6n10, 31n1, 218
  • Marx, Karl, 166, 167
  • Masson, David, 7
  • Mayhew, Henry: description of, 178
  • McCarthy, Justin, 213, 219
  • McMaster, Juliet, 179, 179n10, 214
  • Memoir on the Gorilla (Owen), 150
  • Merleau-Ponty, Maurice: motility and, 59n31
  • metaphors, 55, 116, 122, 207; complicated, 37; proliferation of, 80
  • methodologies, 12; Bakhtinian, 7; digital, 4–7
  • Michie, Helena, 106, 106n14
  • milk kinship, 37n9, 64
  • Mill-Lock, Weir, 187
  • Miller, Andrew, 36n9, 61, 138n15; on Dombey, 48, 48n21; on Florence, 73
  • Miller, D. A., 117n21, 224–25; body idioms by, 225
  • Miller, J. Hillis, 30, 123, 128, 142, 179, 179n10, 214, 224; on Bleak House, 80; on Dombey, 37n11; on imagining mind, 19; on Poulet, 226; “right-hand man” and, 31; writing of, 17
  • “Mind of Brutes, The” (Household Words), 113
  • “Missing Link, The” (Punch), 150–51
  • “Mr. Carker in his hour of triumph,” 68
  • Mitchell, Charlotte, 132
  • Mitchell, David: disability and, 71–72
  • Mitchell, Sally, 106, 106n14
  • Modern English Literature: Its Blemishes and Defects (Breen), 15
  • Modern English Usage (Fowler), 221
  • “Modern Fiction” (Woolf), 223
  • Modern Philology, 214, 216
  • Molly, 28n43, 130, 154, 165, 168; Estella and, 156, 161; hands of, 156, 159, 160, 161, 162, 166; Irishness of, 155; Jaggers and, 159; Magwitch and, 156, 164; Pip and, 159; racialized ethnicity of, 156
  • Mouths of the Vulgar, 8, 10
  • Müller, Friedrich Max, 15, 15n24, 16
  • Munby, Arthur, 158, 158n29, 159, 184
  • “Murders in the Rue Morgue, The” (Poe), 147, 150
  • Mystery of Edwin Drood, The (Dickens), 6n10, 31n1
  • National Humanities Center, 1
  • Native, as “right-hand man,” 40, 41
  • nature, 161; nurture and, 138, 158, 162–63
  • Nayder, Lillian, 28, 89
  • Neckett, Charley, 28, 83, 95n9, 101–2, 111, 124, 125; death of, 102; hands of, 178; responsibility/industry and, 102–3; “shoulder to the wheel” and, 105
  • New English Dictionary on Historical Principles, 14
  • New and Improved Grammar of the English Tongue (Hazlitt), 23
  • New Literary History, 224
  • Newgate Prison, 138, 163
  • Newsom, Robert, 60
  • Nicholas Nickleby (Dickens), 6n10, 31n1, 38, 175
  • Nipper, Susan, 65, 66, 69
  • “Noble Savage, The” (Dickens), 154
  • North British Review, 8
  • “nose to the grindstone,” 3, 6, 12, 13, 17, 174n3, 193–97, 200, 209; appearances of, 198, 199; development of, 194; rhetoric of, 201; using, 175, 196, 202, 203–4, 205
  • Not So Bad as We Seem (play), 88
  • Novel and the Police, The (Miller), 224
  • nurture, 156–57, 164; nature and, 138, 158, 162–63
  • O’Connell, Daniel, 85, 88
  • Oedipus Rex (Sophocles), 90
  • O’Farrell, Mary Ann, 28
  • Old Curiosity Shop, The (Dickens), 6n10, 26, 31n1, 150; success of, 38; writing, 175
  • Oliphant, Margaret, 3, 8
  • Oliver Twist (Dickens), 6n10, 8, 26, 31n1, 91, 106n14, 128, 129, 135, 160; filial identification in, 161; success of, 38; writing, 175
  • On the Origin of Species (Darwin), 147, 148, 149, 154n27, 157n28, 158; publication of, 145
  • On the Study of Words (Trench), 15
  • One, Other, and Only, The (Stewart), body idioms in, 225
  • orientation: body, 21, 22; errors in, 77; gendered, 63; idiomatic, 89, 117; philological, 15, 17; psychological, 19; social, 14
  • Orlick, 126n2, 142, 149n23, 157
  • Orwell, George, 105, 176
  • Our Mutual Friend (Dickens), 6, 6n10, 13, 31n1, 200, 211, 225; body idioms in, 13n21, 174, 194, 212; criticism of, 213, 214; development of, 171–72, 179; idiomatic imagination and, 27; James review of, 219; labor in, 186; “nose to the grindstone” and, 17, 174n3, 193, 195, 197, 201, 202, 203, 204, 209; prose style in, 200n27; reading, 171; setting of, 172; social atmosphere of, 205; social cruelty in, 206; structure of, 214; “sweat of the brow” and, 176, 176n5; work and, 177; writing, 173, 175, 214–15
  • “Our Nearest Relation,” 154, 155
  • Owen, Richard, 149n24, 150, 161
  • Oxford Dictionary of English Idioms, 2
  • Oxford English Dictionary (OED), 7, 14, 15, 32, 35, 57, 85, 100, 114, 116
  • Pacious, Kathleen, 215
  • “Pantomime of Life, The” (Dickens), 21
  • parody, 101, 179, 180
  • Past and Present (Carlyle), 88, 92
  • Patten, Robert, 8, 17, 48, 111, 128
  • Pearsall, Logan, 10
  • Peel, Robert, 35n6, 85
  • Percival Keene (Marryat), 36n8, 46
  • Perker, Mr.: Pickwick and, 25
  • perseverance, 54, 72, 83, 93, 96, 117, 119; empty rhetoric of, 123; personal/professional, 109
  • Peter Simple (Marryat), 36
  • Peters, Laura, 154n27, 157n28
  • “Phenomenology of Reading” (Poulet), 224
  • Philip, Alex, 77
  • Philological Society of London, 14
  • philology: English, 14, 14n23; German, 14n21, 15; intention and, 14–18; participatory, 14
  • Phineas Redux (Trollope), 46
  • physicality, 18–19, 21, 56, 105, 106n14
  • Physiology of the Novel, The (Dames), 20
  • Pickwick, Mr., 25, 26, 194
  • Pickwick Papers, The (Dickens), 6n10, 25, 25n42, 31n1, 37n11, 38, 194
  • Pilgrim’s Progress (Bunyan), 90
  • Pip, 127, 128, 129, 130, 132, 135, 137, 148–49n23, 155; “brought up by hand” and, 140, 141, 167; Estella and, 138, 156, 162, 163, 164–65; hands of, 165, 167n33, 168, 169; Havisham and, 161; Herbert and, 143, 164, 166; Joe and, 139, 140, 143; Magwitch and, 141, 142, 156, 165–66, 166–67, 168–69; Molly and, 159; moral development of, 169; Mrs. Joe and, 139, 140, 167; nature/nurture and, 163; physical abuse of, 140; upbringing of, 136, 140–41, 142, 144, 157; Wemmick and, 143, 163
  • Piper, Andrew, 4, 4n4, 5n7
  • “Plates of the Encyclopedia, The” (Barthes), 126
  • Pocket, Camilla, 157
  • Pocket, Herbert, 136, 137n13, 157, 165, 168; Pip and, 143, 164, 166
  • Pocket, Matthew, 157
  • Podsnap, Georgiana, 201, 202, 203, 204
  • Podsnap, John, 191
  • Poe, Edgar Allan, 61n33, 147, 150
  • Politics and Letters (Williams), 1
  • Poovey, Mary, 177, 225; on Our Mutual Friend, 172–73
  • Portrait of a Lady, The (James), body idioms in, 219
  • Potterson, Abbey, 183
  • Poulet, Georges, 91, 104, 224, 226
  • Price, Janet, 53
  • Project Gutenberg, 46n16, 89n7
  • Proverbs in the English Tongue (Heywood), 200
  • Pscyhotomy of the Hand (Beamish), 151
  • Pumblechook, 129, 142, 143, 164, 167n33, 169
  • Punch, 150
  • puns, 61, 61n33, 108
  • Pykett, Lyn: on work, 177, 177n8
  • Qualls, Barry, 90
  • Quarterly Review, 8, 9
  • Queen’s English, The (Alford), 15
  • Quilp, Daniel, 27, 54
  • Rabelais and His World (Bakhtin), grotesque body in, 120
  • racial degeneration, theories of, 148
  • rarity, 30–32, 35–38, 35n5, 45, 46, 84, 132; extreme, 73, 89
  • Rattlin the Reefer (Marryat), 36n8
  • “Raven, The” (Poe), 61n33
  • “Raw Data” Is an Oxymoron (Gitleman), 4
  • Real Life of Mary Ann Evans, The (Bodenheimer), 227
  • realism, 120n23, 177, 189n17
  • Reductive Reading (Allison), 5, 12
  • Reed, John: on Our Mutual Friend, 215
  • repetitions, 84, 110, 143, 162, 179, 183, 211; conscious/unconscious, 129–30; ebbs/flows in, 10; isolated, 30–31
  • responsibility, 80, 120, 125; personal, 92, 97; shirking, 119; shouldering, 91, 103, 224
  • Riah, Mr., 191, 202, 204; Lammle and, 192; “sweat of the brow” and, 193
  • Richards, Thomas: Great Exhibition and, 166n32
  • Riderhood, Pleasant, 178
  • Riderhood, Rogue, 28, 178, 179, 180n11, 189, 208; behavior of, 184–85; description of, 210; extortion by, 188; labor and, 181, 182, 185, 186; parody of, 180; “sweat of the brow” and, 181, 187–88; working class and, 180; Wrayburn and, 182, 187
  • “right-hand”: feminine solidarity, 105; status, 70, 73
  • “right-hand man,” 3, 6, 12, 13, 28, 38–47, 56, 62, 84–85; appearances of, 33, 34s; being, 59–60, 63, 65, 73; idiomatic orientation of, 89; instances of, 35, 35n5; lack of, 64; using, 31, 32, 36–37, 39, 43, 45, 47, 51, 70, 72–73
  • “right-hand manness,” 37, 46, 49, 62–63
  • “right-hand mistress,” 67, 69
  • “right-hand wife,” 67
  • “right-hand woman,” 28, 62, 65, 66, 67, 69, 70, 72; possibilities of, 63; using, 73
  • “right-hand womanness,” 28, 37, 46, 69
  • Risam, Roopika, 5, 5n8
  • Robson, Catherine, 24
  • Rodas, Julia Miele, 52, 52n25
  • Rokesmith, Secretary, 177, 180n11, 202, 205, 210
  • Rosenberg, Edgar, 126, 128, 139, 220
  • Rouncewell, Mr., 96, 97, 105, 106, 107, 110; “shoulder the wheel” and, 94, 98
  • Rouncewell, Mrs., 93, 95, 116
  • Royal College of Physicians, logo for, 146, 146
  • “Ruined Mill House, The,” Bleak House and, 81
  • Said, Edward: aesthetic hypothesis of, 17
  • Sala, George, 88
  • Salem House, 129
  • Satis House, 127, 137n12, 138, 148n23, 162, 164; Pip at, 137, 161
  • Saturday Review, 85, 213
  • savages, 15, 141, 148n22, 149n23, 154, 178; Irish, 151
  • Scenes of Clerical Life (Eliot), 225
  • Schaffer, Talia, 71, 191n21, 120
  • Schlicke, Paul, 139
  • Schor, Hilary, 37, 54, 82, 105, 123
  • Scrooge, Ebenezer, 195
  • sensitivity, 23n39, 62, 136–37, 137–38, 169
  • “shadow in the little parlor, The,” 58
  • Shakespeare, William, 7n12, 164n31, 220
  • Sharp, Becky: depiction of, 67n38
  • Shildrick, Margrit, 53
  • Shore, Daniel, 5
  • “shoulder to the wheel,” 3, 6, 12, 13, 17, 81, 98, 99, 119, 123; appearances of, 86, 87; personal responsibility and, 92; using, 83, 84, 91, 93–95, 101, 105, 106, 107, 109–10, 125; variations of, 90
  • shouldering, 91, 110, 113, 116, 117, 118, 121, 224
  • Shuttleworth, Russell: on disability, 60–61
  • Siebers, Tobin, 59
  • Sisyphus, 107, 109n16
  • Sketches by Boz, Illustrative of Everyday Life and Every-day People (Dickens), 6n10, 24, 31n1
  • Skewton, Mrs., 40, 41, 42, 44, 47, 52, 74; as “right-hand woman,” 62
  • Skimpole, Harold, 90, 102, 114, 122, 125; “shoulder to the wheel” and, 101
  • “Slang” (Dickens), 21
  • slangular, 11
  • Sloppy, 187, 211, 212
  • Smallweed, Grandfather, 118
  • Smallweed, Mr., 105, 115, 116, 117n20
  • Smallweed family, 115, 115, 116
  • “Smallweed family, The,” 115
  • Smith, L. P., 11, 23
  • Smith, Olivia, 32
  • Snuphanuph, Lady, 25
  • Snyder, Sharon: disability and, 71–72
  • Sobchak, Vivian, 55
  • social contexts, 72, 149
  • social dominance, 176, 204
  • social mastery, 174, 206
  • social power, 202, 203, 204
  • Solberg, Sarah, 77
  • “Song of the Shirt, The” (Hood), 189
  • Sparsit, Mrs.: nosiness of, 49
  • Spectator, The (Addison), 7
  • Spenlow and Jorkins, 83
  • “spinning one’s wheels,” 107, 108
  • Spitzer, Leo, 13, 49
  • Spivak, Gayatri: on digital methodologies, 4n2
  • Squod, Phil, 83, 104, 105, 125; deformation of, 120n26; described, 117–18; George and, 118–19, 120; Jo and, 121; perseverance of, 119
  • Steig, Michael, 67, 69n39
  • Stephen, Leslie: on Dickens, 9
  • Stewart, Garrett, 9n18, 10, 17, 62, 78n43, 91, 108, 120n24, 173n1, 220; body idioms and, 26, 225; Dickensian “style” and, 47, 215–16; figures and, 26; liturgical formula and, 193; on Our Mutual Friend, 173–74; Vholes and, 112n18
  • Stone, Harry, 126n3, 128n8, 145, 169; on Dickens, 130n9; on Dombey, 79; on Our Mutual Friend, 172
  • Storey, Graham, 129
  • Story of Alice, The (Douglas-Fairhurst), body idioms in, 227
  • “Street Haunting” (Woolf), 22
  • substitution, 36, 36n9, 39, 42, 73, 78; thematic of, 63
  • Summerson, Esther, 82, 96, 99, 101, 102, 108, 111, 114, 119, 123; Ada and, 106; appraisal of, 104, 105; Bleak House and, 124; hand of, 104; moral resolution of, 125; “shoulder to the wheel” and, 28, 83, 105, 110; work ethic of, 104, 106
  • Summerson, Tom, 124
  • surface reading, 6
  • surrogacy: “right-handed,” 73, 79; thematic of, 63
  • Sussman, Herbert, 57
  • “sweat of the brow,” 3, 6, 180, 181, 183, 187–88, 193, 292; development of, 194; using, 175, 176, 176n5, 182
  • Swiveller, Dick, 27
  • Tale of Two Cities, A (Dickens), 6n10, 31n1, 175; “nose to the grindstone” and, 195
  • Tappertit, Simon, 194, 195
  • Ternan, Ellen, 175
  • Thackeray, William, 3, 46; body idioms and, 1; Sharp and, 67n38; social satires of, 2
  • thematics, 12, 37, 48, 63, 130, 131, 135; imaginative, 103; structural, 103
  • theory of evolution, 131, 148, 148n22, 150, 156–57
  • Thomas, William Moy, 155
  • Thomson, David Croal, 77
  • Thomson, Thomas: “shoulder to the wheel” and, 88
  • Thorpe, Benjamin: philology and, 14
  • Tillotson, Kathleen, 25n42, 37, 51, 90, 90n8, 126n1, 127n6, 129; on Bleak House, 80; on Dombey, 51; Great Expectations and, 126
  • Tiny Tim, 54
  • Tippins, Lady, 191
  • Tom-all-Alone, 82, 92, 113, 114, 121, 122, 124
  • Tomalin, Claire, 20, 64n35, 98
  • “tongue-in-cheek,” 1
  • Toodle, Polly, 38, 48, 64n35, 64n36; examination of, 65; as “right-hand woman,” 62, 64
  • Tox, Miss, 39, 48, 54, 65, 72, 73; on Cuttle, 59
  • Treatise (Bell), 146, 146n19, 150
  • Treatise on the Diseases of Children, A (Underwood), 132
  • Trench, Richard Chenevix, 15, 16, 176, 176n6
  • Trollope, Anthony, 3, 8, 46, 225
  • Tromp, Marlene, 106, 106n14
  • Turveydrop, Mr., 100, 105, 111, 118, 125; characterization of, 98, 99; Jo and, 121; as “model of Deportment,” 98, 99; “shoulder to the wheel” and, 101
  • Turveydrop, Prince, 98–99
  • Turveydrop Dancing Academy, 99, 100, 102
  • Twist, Oliver, 26, 129, 153–54, 160
  • Tyler, Daniel, 24, 48, 128; on Dickens/style, 47–48
  • Ulysses, wordplay in, 222
  • Underwood, Michael, 132
  • Underwood, Ted, 6
  • Uneven Development (Poovey), 225
  • Unique Body Idioms Used per Novel, 3 (table)
  • Vale of Taunton, 107, 125
  • Vanity Fair (Thackeray), 2, 46, 67n38
  • Veneerings, 191, 200, 212
  • Venus, 177n7, 209; Wegg and, 210–11
  • vernacular language, 10, 47, 78, 227; bodily, 48; proliferation of, 13
  • Vestiges of the Natural History of Creation (Chambers), 146, 147, 149, 150
  • Vholes, Mr., 105, 107, 108, 111, 112–13, 112n18, 115, 116, 122; living arrangements of, 114; professional mantra and, 113; Richard and, 114; “shoulder to the wheel” and, 109, 109n16, 110; Vale of Taunton and, 125
  • Victoria & Albert Museum, 41, 93
  • Victorians, 28, 46n17, 135, 147, 149, 151; hands and, 178
  • Villette (Brontë), 225
  • violence, 106n14, 151, 155–56, 161; physical, 135, 140, 157, 165, 178
  • Vlock, Deborah, 98
  • Walder, Dennis, 22, 149n25; everyday and, 24n40
  • Wales, Katie, on Joyce, 221, 222
  • walking: listening and, 22n36, 23; rhetoric of, 22
  • Warren’s Blacking Factory, 2, 9, 22
  • Waters, Catherine, 36n9, 48, 55n28
  • Weevle, Mr., 114, 115
  • Wegg, Silas, 28, 54, 187, 209; Boffin and, 211; grindstone and, 211; Venus and, 210–11
  • Welsh, Alexander, 148n23, 176
  • Wemmick, 154–55; Pip and, 143, 163
  • Westminster Review, 213, 219
  • Wider, Kathleen, 21
  • Wilberforce, Samuel, 149n24
  • Wilfer, Bella, 187, 202, 205
  • Willet, Joe, 194, 195
  • Williams, Raymond, 1, 13, 39, 73–74, 80, 81, 84
  • Wittgenstein, Ludwig, 108, 142
  • Wold, Chesney, 93–94, 95, 116
  • Woman in White, The (Collins), 225
  • Wood, Claire, 177n7, 193
  • Woodcourt, Allan, 83, 107, 121, 125
  • Woolf, Virginia, 22; body idioms and, 224; David Copperfield and, 223; idiomatic body in, 217–23; Victorian predecessors of, 223
  • word count, 219n4, 224n9; pagination and, 227
  • wordplay, 56; idiomatic, 170, 222; literal/figurative and, 222
  • Wordsworth, William, 23
  • work, 176, 177, 184, 189, 191; Dickensian, 177; representation of, 107; term, 194. See also labor
  • working class, 176, 180, 183, 187
  • Wrayburn, Eugene, 28, 177, 179, 183, 186, 189, 209, 212; goading by, 185; Headstone and, 184, 184n16, 185, 206, 206n33, 207–8; Riderhood and, 182, 187; work and, 184
  • Wrayburn and Lightwood (firm), 180, 181
  • Wren, Jenny, 28, 177, 189n17, 191n21, 212; “sweat of the brow” and, 189
  • “Writer as Artist, The” (Eliot), 217
  • writing: labor of, 197; styles/Dickensian, 12; as theatrical acting, 19, 20
  • Wuthering Heights (Brontë), 225
  • Yaeger, Patricia, 90
  • York, Duke of, 42
  • Young, Robert, 74
  • Younquist, Paul: physiological aesthetics and, 23
  • Zemka, Sue: on Derenzy, 57, 58
  • Zola, Émile, 219

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