Skip to main content

THE MURIEL RUKEYSER ERA: NOTES ON CONTRIBUTORS

THE MURIEL RUKEYSER ERA
NOTES ON CONTRIBUTORS
  • Show the following:

    Annotations
    Resources
  • Adjust appearance:

    Font
    Font style
    Color Scheme
    Light
    Dark
    Annotation contrast
    Low
    High
    Margins
  • Search within:
    • Notifications
    • Privacy
  • Project HomeThe Muriel Rukeyser Era
  • Projects
  • Learn more about Manifold

Notes

table of contents
  1. Cover
  2. Title
  3. Epigraph
  4. Contents
  5. Acknowledgments and Permissions
  6. List of Abbreviations
  7. Note on This Textual Edition
  8. Editors’ Introduction
    1. All You Have to Do Is Challenge Them: The Muriel Rukeyser Era, Eric Keenaghan and Rowena Kennedy-Epstein
  9. Author’s Introduction
    1. Biographical Statement for “Under Forty: A Symposium on American Literature and the Younger Generation of American Jews” (1944), Muriel Rukeyser
  10. PART I. THE USABLE TRUTH: FIVE TALKS ON COMMUNICATION AND POETRY
    1. 1. “The Fear of Poetry” (1940, 1941)
    2. 2. “The Speed of the Image” (1940)
    3. 3. “Belief and Poetry” (1940)
    4. 4. “Poetry and Peace” (1940)
    5. 5. “Communication and Poetry” (1940)
  11. PART II. TWENTIETH-CENTURY RADICALISM: ON POLITICS, SOCIETY, AND CULTURE
    1. 6. “The Flown Arrow: The Aftermath of the Sacco-Vanzetti Case” (1932)
    2. 7. “From Scottsboro to Decatur” (1933)
    3. 8. “Women and Scottsboro” (1933)
    4. 9. “Barcelona on the Barricades” (1936)
    5. 10. “Barcelona, 1936” (1936)
    6. 11. “Words and Images” (1943)
    7. 12. “War and Poetry” (1945)
    8. 13. “A Pane of Glass” (1953)
    9. 14. “She Came to Us” (1958)
    10. 15. “The Killing of the Children” (1973)
    11. 16. “The Uses of Fear” (1978)
  12. PART III. MEDIA AND DEMOCRATIC EDUCATION: A PHOTO-TEXT AND RADIO SCRIPTS
    1. 17. “So Easy to See” (1946), Photography-and-Text Collaboration with Berenice Abbott
    2. 18. From Sunday at Nine (1949), Scripts for Two Radio Broadcasts
      1. Series Introduction Episode One: Emily Dickinson
      2. Episode Four: The Blues
  13. PART IV. MODERNIST INTERVENTIONS: ON GENDER, POETRY, AND POETICS
    1. 19. “Modern Trends: American Poetry” (1932)
    2. 20. “Long Step Ahead Taken by Gregory in New Epic Poem” (1935), review of Horace Gregory’s Chorus for Survival
    3. 21. “In a Speaking Voice” (1939), review of Robert Frost’s Collected Poems
    4. 22. “The Classic Ground” (1941), review of Marya Zaturenska’s The Listening Landscape
    5. 23. “Nearer to the Well-Spring” (1943), review of Rainer Maria Rilke’s Sonnets to Orpheus
    6. 24. “A Simple Theme” (1949), review of Charlotte Marletto’s Jewel of Our Longing
    7. 25. “A Lorca Evening” (1951)
    8. 26. “Many Keys” (1957), on women’s poetry
    9. 27. “Lyrical ‘Rage’” (1957), review of Kenneth Rexroth’s In Defense of the Earth
    10. 28. “A Crystal for the Metaphysical” (1966), review of Marianne Moore’s Tell Me, Tell Me: Granite, Steel, and Other Topics
    11. 29. “Poetry and the Unverifiable Fact” (1968)
    12. 30. “The Music of Translation” (1971)
    13. 31. “Thoreau and Poetry” (1972)
    14. 32. “Glitter and Wounds, Several Wildnesses” (1973), review of Anne Sexton’s The Book of Folly
    15. 33. “The Life to Which I Belong” (1974), review of Franz Kafka’s Letters to Felice
    16. 34. “Women of Words: A Prefatory Note” (1974)
  14. Appendix: Bibliographic and Archival Information for Selections by Muriel Rukeyser
  15. Notes on Contributors
  16. Selected Bibliography
  17. Index
  18. Copyright

NOTES ON CONTRIBUTORS

Muriel Rukeyser (1913–1980) was an American writer, activist, and public intellectual. Born in New York City, she lived most of her life in that metropolis, with short periods spent in upstate New York during her college years (1930–1932) and in the San Francisco Bay Area (1945–1949). Rukeyser’s first book of poems, Theory of Flight, won the Yale Younger Poets Award and was published in 1935. She would go on to publish more than a dozen other poetry collections, the last being The Gates: Poems in 1976. In 1947, Rukeyser gave birth to her son, William Laurie Rukeyser, out of her desire to raise a child on her own. From the 1950s on, she had an open relationship with, but maintained a separate household from, her literary agent Monica McCall. Throughout her life, Rukeyser pursued a variety of careers—ranging from political reportage, magazine and film editorships, wartime service for a federal propaganda agency, radio broadcast and production, screenwriting for film and television, education, and nonprofit leadership. No matter her occupation, though, writing was the chief means of her livelihood. Although she is best known for her poetry and self-identified principally as a poet, in actuality she was prolific in a variety of forms—ranging from poetry, short and long fiction, children’s books, drama and musicals; to journalism, biographies, and literary and political nonfiction; to screenplays, radio scripts, and teleplays. All her writings contributed to her evolving, career-long vision of the complex interrelationship between conventional and experimental literary formalism and social justice, which encompassed her fierce commitment to racial, class, and gender equity, sex positivity, and anti-war views. Much of what she wrote never appeared in print, often because of editors’ and publishers’ politically or ideologically motivated suppression. The bulk of Rukeyser’s previously published nonpoetic writings has not yet been recovered. Having experienced several strokes and suffered for years from diabetes and heart disease, Rukeyser died in 1980, at the age of sixty-six.

Eric Keenaghan is the author of Queering Cold War Poetry (Ohio State University Press). His writings about American modernism, cold war and New American poetry, and LGBTQ+ poetry, poetics, and politics have appeared in many collected volumes and in such journals as PMLA, Modernism/modernity, Textual Studies, Journal of Modern Literature, and Translation Studies. He is associate professor in the English Department at the University at Albany, State University of New York. Contact him at ekeenaghan@albany.edu.

Rowena Kennedy-Epstein is the author of Unfinished Spirit: Muriel Rukeyser’s Twentieth Century (Cornell University Press), and she recovered and edited Muriel Rukeyser’s unpublished Spanish Civil War novel, Savage Coast (Feminist Press). An NEH Public Scholars fellow, she is writing the first biography of Rukeyser (Bloomsbury). She lives in the UK, where she is associate professor of gender studies and twentieth- and twenty-first-century women’s writing at the University of Bristol.

Annotate

Next Chapter
SELECTED BIBLIOGRAPHY
PreviousNext
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org