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Writing Time: Studies in Serial Literature, 1780-1850: Contents

Writing Time: Studies in Serial Literature, 1780-1850
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Notes

table of contents
  1. List of Illustrations
  2. Acknowledgments
  3. Introduction
    1. Temporalization and Seriality
    2. Writing Time
    3. The Timeliness and Untimeliness of Serial Forms
    4. Elements of Serial Print
    5. Tableaux mouvants, Miscellanies of Time, and Zeitgeschichten
  4. Part I: Tableaux mouvants
    1. 1. Bertuch’s Modejournal
      1. More than “Merely a Fleeting Page”?
      2. “Interesting” and “Frightening” Tableaus
      3. “Drawings of Every New Fashion and Invention”
      4. Small Print Luxury
      5. An “Archive of the Fashions of Body and Mind”
    2. 2. Goethe’s The Roman Carnival and Its Afterlives
      1. A First View of The Roman Carnival
      2. Second (and Third) Views of Carnival
      3. After Goethe’s Carnival
    3. 3. Caricature and Ephemeral Print in London und Paris
      1. Canalizing the Flow
      2. “Friends of the Art of Uglifying”
      3. Les Cris de Paris
      4. “Ephemeral Favorites”
      5. Linen Monuments
      6. The Monument as Caricature and as Ephemeral Event
  5. Part II: Miscellanies of Time
    1. 4. Jean Paul’s Paper Festivals
      1. Figures of Time
      2. Preaching at Twilight
      3. Writing the Present, Writing the Future
      4. Paper Monuments, Paper Festivals
      5. Ends and Beginnings
    2. 5. Jean Paul’s Incomplete Works
      1. Before and after Death
      2. Opera Omnia
      3. The Papierdrache
      4. Jean Paul’s Literary Afterlives
  6. Part III: Contemporary Histories (Zeitgeschichten)
    1. 6. Waiting for the Revolution (Ludwig Börne)
      1. Diaries of the Times
      2. Letters from Paris
      3. “Adieu until the Next Revolution”
      4. The History of the Coming Revolution
    2. 7. Heine’s Serial Histories of the Revolution
      1. Various Conceptions of History
      2. Interrupting the History of the Revolution
      3. Heine’s Anti-Portraiture
      4. Rhetoric after the Revolution
      5. After 1848
  7. Afterword
  8. Bibliography
  9. Index

CONTENTS

  1. List of Illustrations
  2. Acknowledgments
  3. Introduction
  4. Temporalization and Seriality
  5. Writing Time
  6. The Timeliness and Untimeliness of Serial Forms
  7. Elements of Serial Print
  8. Tableaux mouvants, Miscellanies of Time, and Zeitgeschichten
  9. Part I   Tableaux mouvants
  10. 1.  Bertuch’s Modejournal
  11. More than “Merely a Fleeting Page”?
  12. “Interesting” and “Frightening” Tableaus
  13. “Drawings of Every New Fashion and Invention”
  14. Small Print Luxury
  15. An “Archive of the Fashions of Body and Mind”
  16. 2.  Goethe’s The Roman Carnival and Its Afterlives
  17. A First View of The Roman Carnival
  18. Second (and Third) Views of Carnival
  19. After Goethe’s Carnival
  20. 3.  Caricature and Ephemeral Print in London und Paris
  21. Canalizing the Flow
  22. “Friends of the Art of Uglifying”
  23. Les Cris de Paris
  24. “Ephemeral Favorites”
  25. Linen Monuments
  26. The Monument as Caricature and as Ephemeral Event
  27. Part II   Miscellanies of Time
  28. 4.  Jean Paul’s Paper Festivals
  29. Figures of Time
  30. Preaching at Twilight
  31. Writing the Present, Writing the Future
  32. Paper Monuments, Paper Festivals
  33. Ends and Beginnings
  34. 5.  Jean Paul’s Incomplete Works
  35. Before and after Death
  36. Opera Omnia
  37. The Papierdrache
  38. Jean Paul’s Literary Afterlives
  39. Part III   Contemporary Histories (Zeitgeschichten)
  40. 6.  Waiting for the Revolution (Ludwig Börne)
  41. Diaries of the Times
  42. Letters from Paris
  43. “Adieu until the Next Revolution”
  44. The History of the Coming Revolution
  45. 7.  Heine’s Serial Histories of the Revolution
  46. Various Conceptions of History
  47. Interrupting the History of the Revolution
  48. Heine’s Anti-Portraiture
  49. Rhetoric after the Revolution
  50. After 1848
  51. Afterword
  52. Bibliography
  53. Index

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