INDEX

Note: Page numbers in italic type indicate illustrations.

Académie Française, 340–42, 345
acceleration of time, 46
Addison, Joseph, 2, 67, 221, 238, 247
Alexander the Great, 154
Allgemeine deutsche Bibliothek, 245
Allgemeine Zeitung (General newspaper), 3, 142, 145, 275, 277, 324, 327–28, 332, 336, 340, 344–45, 352
almanacs, 6, 17, 32, 70, 76, 82, 109, 145, 244
Anderson, Benedict, 9
Anna Amalia (duchess), 74
Annalen des Luxus und der Moden (Annals of luxury and fashion), 58
Antiqua typeface, 79, 81, 100, 101, 121, 164
antiquity: aesthetic principles of, 31, 97; fashion and, 128–29; French Revolutionary imitation of, 179; French Revolution compared to, 104–6; and gift giving, 128–33; Goethe and, 78–79, 97, 100, 102–5, 128; Modejournal and, 128–30; modernity in relation to, 61, 88, 97, 187–88; Moritz and, 61, 102, 104–9, 112, 125, 128, 130, 135; Napoleonic monuments and, 181, 186–87; popular culture and, 78, 97, 102–3, 125–26, 128–30; present compared to, 33, 45, 56, 61, 97, 102, 149–50; visual accounts of, 102–3, 106–7, 128. See also classical models/classicism
Apgar, Richard B., 152n26
Der Apotheker (The apothecary), 263
Archenholz, Johann Wilhelm von, 61
Archiv, 216
archives, journals as, 26–28, 59, 86–91, 220
Arendt, Hannah, 5
Aristophanes, 175
Arndt, Ernst Moritz, 205, 210, 215
Arnim, Achim von, 219
Ästhetik des Häßlichen (Aesthetics of the ugly), 153
Athenäum (Athenaeum), 3, 49, 51, 153
Augsburger Allgemeine Zeitung, 297
Augustine, 357
authorship: forms of, 5–6; Heine and, 348, 350, 353; Jean Paul and, 38, 194–95, 197, 202, 202n11, 213, 227–28, 237–71; and the significance of a life’s work, 38–39, 245–46. See also works editions

Bakhtin, Mikhail, 111n59, 156
Balzac, Honoré de, 65
Battle of Jena—Auerstedt, 199, 225, 250, 252
Baudelaire, Charles, 65
Benjamin, Walter, 11, 269
Benne, Christian, 239
Berend, Eduard, 255, 257–58, 260–61, 268
Berlin Academy of Arts, 106, 107
Berliner Abendblätter, 49, 153
Die Berlinische Monatsschrift (The Berlin monthly), 2
Bertuch, Carl, 179
Bertuch, F. J., 19, 28, 37–38, 46–72, 76, 78–82, 80n80, 84, 88–89, 91–95, 97–101, 120–21, 124–25, 134, 141, 144, 146, 148–49, 151–52, 154, 156, 157, 167, 179–80, 189, 367
Beschreibung der vorzüglichsten Volksfeste, Unterhaltungen, Spiele und Tänze der meisten Nationen in Europa (Descriptions of the most exquisite popular festivals, entertainments, games, and dances of most of the nations of Europe), 141
Bibliothèque Nationale, 165–66
Bilderbuch für Kinder (Picturebook for children), 71
bildungsroman, 18
biology, models of time based on, 14–20
Blumenberg, Hans, 17, 20, 29
Böck, Dorothea, 193n5
Bonaparte, Napoleon: conflicting attitudes toward, 77, 143–44, 149, 167–68, 179; Jean Paul on, 38, 192, 193, 209, 211, 222, 225–26; journalistic attacks on, 37, 49, 77, 153, 157–58, 180; monuments associated with, 179, 181–88; occupation of Germany by, 38, 49, 84, 179–80, 199–201, 208, 211–12, 222; public image of, 179
books, as luxury, 79–82, 95–96, 100–101, 120
Borchert, Angela, 50, 125, 128
Börne, Ludwig: background of, 283; and caricature, 189; characteristics of the work of, 46; and contemporary history, 39, 42, 44–45, 273–74, 276–77, 285, 293–94; and cultural journalism, 41–42, 46–47, 275–76, 283–84, 309; as editor, 1, 39, 283, 285–87; and ephemerality, 44, 285, 293, 307–8, 361, 368–69; eulogy for Jean Paul, 239–40, 268–69; and fashion, 51; Heine and, 273, 277, 283, 284, 309, 311–12, 336n52; and historiography, 279–81, 294–95, 308–14; and images, 42, 44, 46, 278; Jean Paul as influence on, 223, 277–78, 285; and the letter genre, 297–305; and miscellaneity, 289; and politics, 283–84, 297, 309–15; reception of, 278, 285, 293, 309; republication of his works, 39, 259, 278, 288–93; and seriality, 39, 45, 276–78, 285, 292–93, 306, 308, 315; and time, 1, 39, 186, 305–8; and works editions, 285, 289
Börne, Ludwig, works: “Aphorisms and Miscellanies,” 259; Briefe aus Paris (Letters from Paris), 39, 278, 284, 285, 297–305, 301, 303, 309, 311, 314–15, 327; “Depictions,” 42; “From Paris: Reading-Cabinets [Lese-Kabinette],” 41–42; Gesammelte Schriften (Collected writings), 285, 287, 289–90, 291, 299–300, 301, 308, 312–13; “Last Will and Testament of the Zeitschwingen,” 287, 290; Sämtliche Schriften, 302; Scenes from Paris, 47; Schilderungen aus Paris (Scenes from Paris), 47, 278, 289, 299, 304; “Tableaus of Paris,” 42
Böttiger, K. A., 19, 28, 46–49, 52, 60, 65–70, 77–78, 92, 97–98, 125–34, 141, 144–46, 148–49, 151, 154, 157, 167, 189, 257, 367; “Painted and Written New Year’s Presents of the Ancient Romans,” 130–32; “The Saturnalia Feast,” 126–27; “Venus and the Graces, with Good Wishes for the Year 1796,” 128–30
Brake, Laurel, 35, 364
Braudel, Fernand, 22
Brehm, David, 365
Brentano, Clemens, 219
Büchner, Georg, 278
Byrd, Vance, 29

Cabinet de Mode, 55
calendars, 62, 88–89, 90, 96, 107, 109
Campbell, Timothy, 57n13
Campe, J. H., 120, 297, 312, 328
canalization, of printed matter, 151–53, 164, 166
caricature: ancient satire as precursor of, 131, 151; Börne and, 189; and classicism, 45, 154–58, 179; and contemporary history, 45; as cultural journalism, 37–38, 147, 154, 189; emergence of, 146; fashion compared to, 77; French Revolution as subject of, 77; Heine and, 189, 317, 322, 337–39; historical value of, 147–48; in London und Paris, 148, 153–54, 156; monuments as subject of, 179–88; political, 146–48, 153; of street criers, 160–61; temporality of, 188–89; and ugliness, 153–54, 157, 160, 165, 179, 189. See also satire
Carlyle, Thomas, 4n6, 317; On Heroes, Hero-Worship, and the Heroic in History, 322
carnival: periodicals likened to, 141–42; politics likened to, 127, 142; in popular culture, 123, 127–28; as subject for journals, 95–96, 124, 126–27, 140, 142; techniques of, 146–47; temporality of, 103, 114, 118, 142. See also public festivals; Roman carnival; Saturnalia
censorship, 167, 168, 180, 182, 200, 222–23, 229, 275, 283–84, 287–88, 300, 328–29
Le Charivari, 142
Chodowiecki, Daniel, 76
Christianity, and time/history, 16, 203, 208, 217–18, 221, 265, 295
Christo, 183
Chun, Wendy Hui Kyong, 366–67
Clark, Christopher, 8
classical models/classicism: of beauty, 30, 37–38; caricature and, 45, 154–58, 179; Goethe and, 138; in journal images, 81, 84, 85; in popular culture, 77–78, 98; public festivals and, 105, 173, 178; of time, 18, 33, 45, 98, 109, 116, 118. See also antiquity; neoclassicism
coherence. See organicism; unity/coherence/wholeness
Colonne der grossen Armee, 181–83, 184, 186–88
communism, 344–45, 348
contemporary history (Zeitgeschichte): Börne and, 4, 39, 42, 44–45, 273–74, 276–77, 285, 293–94; caricature and, 45; carnival and, 142; concept of, 280; and concepts of time, 203; criticisms of, 216; cultural journalism and, 5, 180n86, 201, 214–16, 218–19; Heine and, 39, 273, 276–77, 319, 321, 329–30; Jean Paul and, 194, 201, 214–24, 228, 236–37, 252; of Napoleonic era, 181; public festivals as subject for, 103
continuation, 32–33, 45–46
Corday, Charlotte, 215, 223n75
Cotta, Johann Friedrich, 26, 80n80, 145, 171n, 195, 214, 219, 247, 275, 297, 327, 328
counterpieces, 28, 59–61, 69, 123
Cousin, Victor, 340
Crane, Susan, 201–2
cries, of merchants and news hawkers, 159–65, 162, 168
Cruikshank, Isaac, 148, 149
cultural journalism: Bertuch and, 37; Börne and, 41–42, 46–47, 275–76, 283–84, 309; caricature as, 37–38, 147, 154, 189; classicism and caricature in, 45; and contemporary history, 5, 180n86, 201, 214–16; emergence of, 2, 275; genres and conventions of, 10–11; Heine and, 5, 275–76, 309, 327, 340; history and entertainment mingled in, 48; lectures and speeches as subject of, 340; Mercier’s tableaus influential on, 29; Napoleon as target of, 37, 38, 49, 77, 153, 157–58; on print culture, 45–46; public festivals as subject of, 171–78; significance of, 47; temporalization of, 26. See also journals

D’Aprile, Iwan, 216
Darwin, Charles, 15
Daunou, Pierre, 341, 345
Delacroix, Eugène, Liberty Leading the People, 335
Desaix, Louis, 183, 186–87
Deutsche Blätter, 216
Deutsches Museum (German museum) [1776–1791], 218
Deutsches Museum (German museum) [1812–1813], 218
Dickens, Charles, 65
Diderot, Denis, 127, 306
digital age, 360–62, 364–67
Dinocrates, 154
Directory (French government), 144, 157–58, 167–68, 170, 172, 174, 178
Drawing School. See Weimar Princely Free Drawing School

Eighteenth Brumaire, 167–68, 170
Emerson, Ralph Waldo, 140
England und Italien, 61
Englische Miszellen (English miscellanies), 26, 195
Enlightenment, 2, 17, 22, 58, 78, 103, 218, 294
Entwicklung (development), 18–19
ephemerality: Börne and, 44, 285, 293, 307–8, 361, 368–69; digital media and, 366–67; digitization as antidote to, 361–62; Jean Paul on, 203–4; of journals, 167–68; London und Paris and, 152; monuments and, 179–88; of newspapers, 44–45, 286; organic wholeness/completeness contrasted with, 17–18; print media associated with, 16–18, 170–71; public festivals and, 173, 176, 178
Ephemerides, 17
Erlin, Matt, 79
Ernst, Wolfgang, 366
Esposito, Elena, 16–17
Ettiger (Gotha), 99
Europäische Annalen (European annals), 145, 214

fashion: and antiquity, 128–29; caricature/satire in relation to, 76–77; comparative histories of, 57–60; historiographical import of, 63; imagery associated with, 70–78; journals and, 5, 37, 50–51, 55–63, 82, 83, 85; and the new, 37, 50, 57; politics as, 50–51, 62–63, 72; print media and, 50; and time, 74. See also luxury
festivals. See public festivals
feuilletons, 11, 26, 156, 318, 327
Fichte, Johann Gottlieb, 49, 200, 211, 217; Reden an die deutsche Nation (Addresses to the German nation), 210
Fischer, Bernhard, 79, 80n80
flow metaphor: text and images, 4, 11–13, 24, 29–31, 49, 51, 61, 103, 112, 123, 125, 151–53, 154, 189; time, 12, 14, 28–29, 70, 142, 151–52, 203–8, 280. See also canalization
Forster, Georg, 297
Foucault, Michel, 27
Les Français peints par eux-mêmes (The French, painted by themselves), 65
France. See Bonaparte, Napoleon; Directory (French government); French official culture; French Revolution; July Revolution
Frankfurt Museum, 229
Franzöische Miszellen (French miscellanies), 26, 195
Der Freimüthige (The candid one), 220
French official culture, as target of satire and caricature, 157–58, 178
French Revolution: antiquity in relation to, 104–6, 179; Börne on, 310–12; calendar revision instigated by, 62, 88–89; caricature and, 146; carnival likened to, 33, 127; as fashion, 62–63, 72; German attitudes toward, 49, 60, 65, 77, 86, 97, 105, 146, 158, 217; Goethe’s Römische Carnival and, 92, 96–97, 104–5, 118, 136; Heine on, 311–12, 317, 318, 323; historiography of, 5, 22, 37, 46–47, 52, 317, 324, 340; imagery based on, 71–72, 73, 76–77; Jean Paul and, 200, 203, 223, 225; journalistic coverage of, 3, 5, 21, 47, 49–50, 52, 60, 61, 64, 86, 96n10, 104; and the new, 88, 118; print media linked to, 42, 47, 105, 145n8; and public festivals, 105, 172–75; and time, 5, 22, 33, 37, 46, 50, 88, 97, 200
Friedensblätter, 216
Fuchs, Eduard, 153
future: authors’ envisioning of their works’, 36, 38–39; Enlightenment and modern conceptions of, 22; Jean Paul and, 192, 214–24, 234, 236; the past’s value for predicting, 22, 46; serial forms’ shaping of perceptions of, 4, 19, 34

Gamper, Michael, 320n12
Die Gartenlaube für Österreich (The garden bower for Austria), 10, 356, 358
Garvani, Paul (pen name of Sulpice Guillaume Chevalier), 142
Gebrauchsliteratur (use-oriented literature), 212, 220–22, 240, 256. See also moral weeklies
Geist der Zeit (Spirit of the time), 215
Gelderloos, Carl, 19–20
Gentz, Friedrich, 215
Geulen, Eva, 93n3
gift giving, and antiquity, 128–33
Gilgen, Peter, 217
Gillray, James, 148, 149
Goethe, Johann Wolfgang von: and antiquity, 78–79, 97, 100, 102–5, 128; and Bertuch, 94; criticisms of caricature, 154, 156–57; criticisms of journals, 51–52, 69, 125, 132, 154; and the French Revolution, 136–37; and history/time, 23–24, 218; images from masked procession sponsored by, 74–75, 75; Italian travels of, 93, 299; on literary works as monuments, 242; and the Modejournal, 55, 93–95, 132, 140; and neoclassicism, 92; and organicism, 31; and print formats, 37, 38, 93; Propyläen journal, 3, 51; and Pückler-Muskau, 349n82; reception of, 270; republication of his works, 94, 119, 124–25, 134–42; and works editions, 124, 136–42, 253, 255–56, 258–60; xenia produced by, 132–33, 140
Goethe, Johann Wolfgang von, works: Ausgabe letzer Hand (Edition of the last hand), 124–25, 136, 138, 139, 197, 240–41, 243, 255–56, 258–60; Auszüge aus einem Reise-Journal (Excerpts from a travel journal), 101; “Excerpts from a Travel Journal,” 298; “Fragments from Italy,” 138; Goethe’s Neue Schriften (Goethe’s new writings), 124, 136–37, 139, 141; “The Good Women,” 138; Der Groß-Cophta (The Grand Kofta), 136; Italienische Reise (Italian journey), 94, 110, 124, 138; Des Joseph Balsamo, genannt Cagliostro, Stammbaum (The family tree of Joseph Balsamo, a.k.a. Cagliostro), 136, 138; Das römische Carneval, 33, 37, 80, 81, 92–105, 109–25, 113, 117, 127, 133–42, 302; Sämtliche Schriften (Complete writings), 138; Unterhaltungen deutscher Ausgewanderten (Conversations of German émigrés), 136–37, 138; Werther, 137; Wilhelm Meister, 49
Goetschel, Willi, 322
Görres, Joseph, 219
Göschen (publisher), 79, 100
Göttsche, Dirk, 8, 203
Graevenitz, Gerhard von, 2, 19
guillotine, 64, 123
Guizot, François, 340
Gutzkow, Karl, 259; Öffentliche Charaktere (Public figures), 322

Hartog, François, 183
Hegel, G. W. F., 21, 31, 192, 211, 216, 217, 277, 279, 280, 308, 317, 322, 325, 336, 343
Heine, Heinrich: anti-portraiture of, 335–39, 342–44, 349, 352–53; Börne and, 273, 277, 283, 284, 309, 311–12, 336n52; and caricature, 189, 317, 322, 337–39; and contemporary history, 39, 273, 276–77, 319, 321, 329–30; and cultural journalism, 5, 275–76, 309, 327, 340; and fashion, 51; and the French Revolution, 311–12, 317, 318, 323; and historiography, 279–81, 309, 316–46, 351, 354; and images, 278, 321, 337–39; irony in the work of, 317, 322, 346–49, 353; Jean Paul as influence on, 223, 277–78; on literary history, 241; and politics, 142, 297, 311–12, 344–45; portraits of historical figures by, 334–39; reception of, 278, 311–12, 347–48; reflection on his own death, 347, 353; republication of his works, 39, 259, 278, 317–18, 320–21, 328–29, 332–33, 344–54; and seriality, 39, 276–78, 317, 320–22, 331–32, 334, 337–38, 345–46, 354
Heine, Heinrich, works: Book of Songs, 348; “Communism, Philosophy, and Clergy,” 344; Franzöische Zustände (Conditions in France), 39, 297, 316–17, 319, 323, 326–33, 335, 337–38; Heinrich Heine über Ludwig Börne (Heinrich Heine on Ludwig Börne), 273; Lutezia, 39, 316–17, 318n6, 320–22, 335–38, 340, 344, 346, 350, 353; Reisebilder (Travel pictures), 278, 334; Der Salon, 334; “Verschiedenartige Geschichtsauffassung” (Various conceptions of history), 324, 326, 329, 331
Helms, Hans G., 224n
Heraclitus, 28, 280
Herder, Johann Gottfried von, 78, 98, 125, 205, 218
Herz, Markus and Henriette, 283
heterochronicity, 27, 204, 206, 208, 314
Der hinkende Teufel zu Berlin (The limping devil of Berlin), 96, 141
historicism, 50
history/historiography: academic/traditional, 8, 21, 39, 276–77, 279, 310, 319–22, 324, 339–44 (see also philosophical approaches to); Börne and, 279–81, 294–95, 308–14; and the conception of time, 14–15, 21–24; fashion as model for, 63; of the French Revolution, 5, 22, 37, 46–47, 52, 317, 324, 340; Heine and, 279–81, 309, 316–46, 351, 354; impersonal approach to, 335–39, 342–44; journals dedicated to, 145; linear conceptions of, 15, 22; modern conception of, 22; past-present comparisons in, 57–58, 60–61; pedagogical conception of, 219, 324, 342; philosophical approaches to, 216–18, 308, 318, 321–22, 325 (see also academic/traditional); progress-oriented model of, 7, 15, 22, 158, 217, 280–81, 295, 317, 324–25; typological conceptions of, 22. See also contemporary history; literary history
Hogarth, William, 76, 146
Hohendahl, Peter Uwe, 318
Holm, Christiane, 84
Homer, 128
Horace, 178, 242
Die Horen (The Horae), 3, 49, 137, 145, 153
Huber, Theresa, 210
Hughes, Linda, 19
Hugo, Victor, Les Miserables, 327
Humboldt, Wilhelm von, 318
Hunt, Lynn, 46
Hüttner, Johann Christian, 148
Huyssen, Andreas, 35n92

idealism, 18, 21, 23, 31, 217–18, 280, 308, 318
images: Börne and, 42, 44, 46, 278; fashion-related, 70–78; French Revolution as subject of, 71–72, 73, 76–77; of Goethe’s Römische Carneval, 95, 111–14, 139–40; Heine and, 278, 321, 337–39; in London und Paris, 148, 161, 162; in Modejournal, 70–78, 73, 75, 82, 148; in periodicals, 29–30, 52; of public festivals, 110, 112, 172–73
irregular periodicity, 33–34, 308
Italien und Deutschland, in Rücksicht auf Sitten, Gebräuche, Litteratur, und Kunst (Italy and Germany, regarding mores, customs, literature, and art), 61, 101

Jean Paul (pen name of Johann Paul Friedrich Richter): Börne and, 285; and contemporary history, 194, 201, 214–24, 228, 236–37, 252; death of, 261; and fashion, 51; and the French Revolution, 200, 203, 223, 225; incompletion as feature of works of, 224, 237, 252, 255, 257–59, 261–62, 264, 267; on literary works as monuments, 84, 224, 226–29, 232, 236–37, 242; and miscellaneity, 25, 38–39, 194–96, 211, 214, 228, 237, 242, 256, 261, 270–71; on politics, 193–94, 199–202, 208–9, 211–13, 215, 224–29, 224n, 233n88, 249–50; reception of, 191–92, 201, 210, 239–40; reflections on authorship and his own work, 38, 194–95, 197, 202, 202n11, 213, 227–28, 237–71, 363; reflections on his own life and death, 38, 192, 194, 197, 238–39, 243–47, 249, 251, 261–66, 363; republication of his works, 35, 196–97, 202, 202n11, 208–9, 211–13, 229, 230–31, 232, 240–43; satire, irony, and humor in the works of, 38–39, 191–92, 194–97, 202, 203, 208, 210, 214, 225–26, 232–34, 239, 241, 243, 245, 250, 260, 262, 264, 266–68; and seriality, 191–94, 196, 208, 214, 227–28, 239, 242, 244–45, 253, 257, 261, 263–65, 269–71; sermons as a genre employed by, 200, 202, 207, 209–12, 228; Stifter and, 355, 357; and time, 38, 192–93, 197, 200–224, 233, 236, 249; twilight/threshold in time conception of, 202, 206–12; and works editions, 197, 224n, 240–45, 253, 255–61, 268–69
Jean Paul (pen name of Johann Paul Friedrich Richter), works: “Abschiedsrede bey dem künftigen Schlusse des Morgenblatts” (Farewell speech on the occasion of the future end of the Morgenblatt), 247, 248, 249–51, 264, 266; “Ausschweife für künftige Fortsetzungen von vier Werken” (Digressions for future continuations of four works), 261–66, 270; Dämmerungen für Deutschland (Twilights for Germany), 199, 201, 207–11, 217, 222, 225, 226, 229, 260; “December 31, 1810 presents: My Awakening at the New Year’s Ball in the Casino Hall,” 234; Dr. Katzenbergers Badereise (Dr. Katzensberger’s trip to the spa), 215; Friedens-Predigt an Deutschland gehalten von Jean Paul (Peace sermon to Germany held by Jean Paul), 199, 209–11, 234, 260; “Germanisms and Gallicisms and Catholicisms,” 222; Herbst-Blumine, oder gesammelte Werkchen aus Zeitschriften (Autumn flora, or collected little works from journals), 196, 251–52; Jean Pauls Briefe und bevorstehender Lebenslauf (Jean Paul’s letters and impending course of life), 243, 260; Jean Paul’s sämmtliche Werke (Jean Paul’s complete works), 240–41, 255; Der Komet (The comet), 260, 262; “Konjektural-Biographie” (Conjectural biography), 243–47, 249, 264, 266; The Marvelous Society on New Year’s Eve, 233n91; Museum (Museum), 196, 229, 233, 236; “My Miscellanies” (Meine Miszellen), 195–96; Nachdämmerungen für Deutschland (After twilights for Germany), 199, 207–8, 219; Nachlass, 258, 268; “On God in History and in Life,” 217–18; Papierdrache, 262–64, 266–68, 270; Politische Fastenpredigten während Deutschlands Marterwoche (Political Lenten sermons during Germany’s holy week), 196, 199–200, 208–12, 225; “Programm der Feste oder Aufsätze, welche der Verfasser in jedem Monat des künftigen Morgenblattes 1810 den Lesern geben will” (Program of festivals or articles that the author intends to give to readers in each month of the coming 1810 Morgenblatt), 227, 229, 232–34, 235, 236–37; “Proposal for Political Festivals of Mourning,” 225; reception of, 267–71; Selberlebensbeschreibung, 205, 209, 243; Titan, 260; Die unsichtbare Loge, 265
Jena Romantics, 49
Journal des Luxus und der Moden (Modejournal) [Journal of luxury and fashion (Fashion journal)], 3, 37–38, 47, 49–95, 73, 83, 87, 90, 97, 99, 101, 112, 119–21, 123–34, 140–41, 145, 148–49, 159, 171–72, 180, 227
Journal für Literatur, Kunst, Luxus und Mode (Journal for literature, art, luxury, and fashion), 180
Journal für Luxus, Mode und Gegenstände der Kunst (Journal for luxury, fashion, and objects of art), 180
journals: as archives, 26–28, 59, 86–91, 220; criticisms of, 51–52, 98, 278; ephemerality of, 167–68; facets of, 47, 50, 56, 149; and fashion, 5, 37, 50–51, 55–63, 82, 83, 85; and luxury, 5, 30, 37, 79–84, 121; and miscellaneity, 194–95, 219–20; names of, 26–27; newspapers compared to, 4; permanence of, 120–21; public festivals as subject for, 140, 152, 157, 171–78; rise and significance of cultural, 3, 5, 47–48; and seriality, 195; time thematized and structured by, 5, 49, 133–34, 158–59, 220; topics of, 158–60. See also cultural journalism; newspapers; periodicals
July Monarchy, 316, 342, 347
July Revolution (1830), 273–74, 277, 279, 284, 297, 300, 313, 326–34
Juvenal, 149, 151

Kaminski, Nicola, 365
Kant, Immanuel, 58, 205, 217, 283, 318
Karla, Anna, 301
Kelleter, Frank, 7
Kittler, Friedrich, 12–13
Klancher, Jon, 363–64
Klauer, G. M., 78, 134
Kleist, Heinrich von, 49, 220
Klopstock, Friedrich Gottlieb, 137
Koerner, Joseph Leo, 16n42
Kommerell, Max, 269
Koselleck, Reinhart, 7–8, 21–24, 137–38, 145n8, 147, 189, 193, 218, 280, 324, 355, 362, 365
Kracauer, Siegfried, 11, 13–14
Krämer, Sibylle, 12
Kraus, Georg Melchior, 49, 52, 55, 57, 64, 71–72, 79, 81, 82, 84, 92, 95, 98, 99, 120, 121, 124, 134, 154; “Aufzug des Pulcinellen-Königs” (after drawing by Schütz), 113
Kraus, Karl, 278
Kubler, George, 13–14, 32, 236
Kugler, Franz, Geschichte Friedrich des Großen (History of Friedrich the Great), 322

Lämke, Ortwin, 325n24
Landes-Industrie-Comptoir, 53–55, 71, 134, 154, 180
Laube, Heinrich, 300n29
Leipzig fall book fair, 244–47
Lessing, Gotthold Ephraim, 137, 204, 212
letters and correspondence reports, 297–302
Lichtenberg, Georg Christian, 76, 148
linearity: periodicals’ hindrance of, 26; time conceived in terms of, 7, 14, 22, 203–5, 280. See also progress
Lippert, P. D., 107
Lips, Johann Heinrich, 116; title page illustration for Goethe’s Das römische Carneval, 116, 117
literary history: afterlives of works in, 134–42, 267–71, 346–54, 358–59; book-centered bias of, 6, 35; construction of authorship in, 245–46; digital preservation and, 361–62, 364; horizons of perspective in, 92–93, 136, 140, 242, 253, 267–71, 346, 368–69; place of serial literature in, 6, 359–60, 362–64
London und Paris, 19, 37–38, 46–47, 51, 52, 58, 60, 67–68, 70, 77, 144, 148–89, 150, 162, 169, 312
Louis Philippe, King of France, 341–42, 347
Luhmann, Niklas, 16
Lund, Michael, 19
luxury: books as, 79–82, 95–96, 100–101, 120; images of, 29–30; journals and, 5, 30, 37, 79–84, 121; large and small print forms of, 81, 91, 100–101, 106–7, 129, 133–34, 141, 148. See also fashion

MacLeod, Catriona, 78, 98
Magasin Encyclopédique, 126
Marat, Jean-Paul, 86, 215, 223n75
Marie Antoinette, 86
Marlet, Jean-Harlet, “Lecture des Journaux aux Thuileries,” 42, 43
Martens, Wolfgang, 221
Martus, Steffen, 137
Marx, Karl, 105, 279, 280, 308, 340, 346
Masken des römischen Carnevals (booklet), 121, 122, 123
Matala de Mazza, Ethel, 345
Mayer, Hans, 201, 237
McLuhan, Marshall, 1–2
Menippus, 156
Mercier, Louis-Sebastien, 37, 64–69, 127, 160–61, 161n46, 173; Le Nouveau Paris, 64, 65; Le Tableau de Paris, 29, 41, 64, 66, 127, 312
Mergenthaler, Volker, 365
Meyer, J. H., 81, 98; “Versuch in der Verhäßlichungskunst, dem großen Lobredner derselben gewidmet” (Attempt in the art of uglifying, dedicated to the great eulogist of it), 154, 155, 156
Michelet, Jules, 276, 317, 340
Mignet, François, 276, 340–45, 347
Millin, Aubin-Louis, 126, 165, 165n55
miscellaneity: Börne and, 289; historical roots of, 194; Jean Paul and, 25, 38–39, 194–96, 211, 214, 228, 237, 242, 256, 261, 270–71; journals and, 194–95, 219–20; and seriality, 25–26, 196; significance of, 25–26, 38–39; and time, 220
Modejournal. See Journal des Luxus und der Moden
modernity: antiquity in relation to, 61, 88, 97, 187–88; character of, 11, 28, 30, 103; print media associated with, 2, 10–11, 28, 44, 317, 320; social and political concepts associated with, 22; time conceptions associated with, 2, 7, 16–17, 37, 200, 203, 223, 314. See also the new
Moniteur, 215, 222–23, 229, 287–88, 307
Monument des Generals Desaix, 183, 185, 186–88
monuments, as ephemeral or subject to caricature, 179–88
moral miscellanies, 196, 213
moral weeklies, 2, 3, 25, 26, 67, 151, 194, 202, 220–22, 233, 263. See also Gebrauchsliteratur
Moran, Daniel, 145
Morgenblatt für gebildete Stände (Morning pages for the educated classes), 3, 25, 26, 41, 45, 47, 51, 171n, 192, 194, 195, 206, 210, 219, 220, 227, 229, 232–34, 235, 238, 242, 247, 248, 249–53, 254, 260–63, 267, 270, 275, 287, 327, 334, 363
Moritz, Karl Philipp, 30, 31, 61, 97, 101–5, 112, 116, 124, 125, 128, 130, 135, 225; Anthousa, oder Roms Alterthümer (Anthousa, or Rome’s antiquities), 104, 106–9, 108, 115, 135; Götterlehre (Doctrine of the gods), 107; Reise eines Deutschen in Italien in den Jahren 1786 bis 1788 (Travels of a German in Italy in the years 1786 to 1788), 101; “Über die bildende Nachahmung des Schönen,” 139; Vorbegriffe zu einer Theorie der Ornamente (Preliminary ideas toward a theory of the ornament), 102, 139
Müller, Adam, 220
Müller-Sievers, Helmut, 20, 34, 269
Mussell, James, 25, 361, 363

Napoleon. See Bonaparte, Napoleon
Nash, Andrew, 257
Die Nationalfeste, Feierlichkeiten, Ceremonie und Spiele aller Völker, Religionen und Stände (The national festivals, ceremonies, and games of all peoples, religions, and estates), 141
National Museum, 208
Naumann, Ursula, 209n36
Nemesis, Zeitschrift für Politik und Geschichte (Nemesis, journal for politics and history), 214
neoclassicism, 30, 38, 92, 97, 128, 138
Der Neue Teutsche Merkur (The new German mercury), 125
Neuste Weltkunde (Newest world news), 145, 214
the new: fashion and, 37, 50, 57; French Revolution and, 88, 118; modernity’s emphasis on, 22; periodicals and, 32, 37; tableaus and, 67. See also modernity; present
newspapers: ephemerality of, 44–45, 286; and freedom of the press, 168–70, 169; hawkers of, 159, 164–65, 168; journals compared to, 4; rise of modern, 3, 144–45; timeliness of, 222–23. See also journals; periodicals
Nicolai, Christoph Friedrich, 245
Niebuhr, B. G., 317
Nietzsche, Friedrich, 215
Norman, Larry F., 99

Oesterle, Günter, 84
Oesterle, Ingrid, 204n18, 276, 280
Offenbach, Jacques, 11
organicism: in aesthetics, 18, 31, 36, 52, 91, 97, 135, 157, 257; in conceptions of a person’s life, 260; in conceptions of time, 18–19. See also unity/coherence/wholeness
Oserhammel, Jürgen, 27
Ovid, 128
Ozouf, Mona, 104n38

Pabst, 98
Pandora (fashion calendar), 58, 88–89
Panorama, 27
Paris, Wien, und London—ein fortgehendes Panorama dieser drei Hauptstädte (Paris, Vienna and London—a continuous panorama of these three capitals), 179–81, 183
Paris Academy, 334
Pariser Laufberichte (Paris walking reports), 66
Der Pariser Zuschauer (The Parisian spectator), 66
past: predictive value of, 22, 46, 324; serial forms’ engagement with, 21; trope of contrasting the present and, 33, 57–58, 60–61. See also antiquity
Pericles, 340
periodicals: as archival storage, 26–28; books compared to, 4; carnival likened to, 141–42; characteristics of, 4, 24–36; commodity status of, 6; images in, 29–30, 52; in late eighteenth and nineteenth centuries, 2–3, 144–45; miscellaneity of, 25–26; and the new, 32, 37; periodicity of, 31–36; routinization promoted by, 4–5; scholarship and, 6–7, 9–10; and sequential viewing, 28–29; seriality of, 4–5; time thematized and structured by, 1–2, 4–5, 7, 10–12, 32. See also journals; moral weeklies; newspapers; print media; seriality/serial forms
periodicity, 31–36. See also irregular periodicity
Perthes, Friedrich, 208, 218, 219, 220
Pettitt, Clare, 84, 362
Pfotenhauer, Helmut, 267, 268n86, 270n93
Phelan, Anthony, 319n10
philology, 267–68
Phöbus, 220
photography, 322, 337–39
Piper, Andrew, 139
Pirholt, Mattias, 72
Plutarch, 60
pocketbooks. See Taschenbücher
politics: Börne and, 283–84, 297, 309–15; caricature and, 146–48, 153; as fashion, 50–51, 62–63; Heine and, 297, 311–12, 344–45; Jean Paul and, 193–94, 199–202, 208–9, 211–13, 215, 224–29, 224n, 233n88, 249–50; journalism and, 144–45, 214–15. See also French Revolution
Polybius, 144
Posselt, E. L., 214
predictability: in classical models of time, 45; in past-future relationship, 22, 46, 324; temporal disruptions to, 34
prepublication, 34, 35, 202, 209
present: antiquity compared to, 33, 45, 56, 61, 97, 102, 149–50; caricature concerned with, 147; cultural journalism’s engagement with, 37, 38, 42, 44–45; in transitional periods, 8, 205; trope of contrasting the past and, 57–58, 60–61. See also modernity; the new; Zeitgeschichte
print media: digital media compared to, 366–67; digitization of, 361–62; Entwicklung (development) and, 18–19; ephemerality of, 16–18, 170–71; fashion and, 50; French Revolution linked to, 42, 47, 105, 145n8; in late eighteenth and nineteenth centuries, 145–46; periodicity in, 31–36; structuring of time by, 12–14; and time, 12–14, 46–47, 204, 207. See also journals; newspapers; periodicals
progress, historical understanding based on the concept of, 7, 15, 22, 158, 217, 280–81, 295, 317, 324–25. See also linearity
Propyläen (Propylaea), 3, 51
public festivals: aesthetic coherence of, 106–7, 172–73; classicism and, 105, 173, 178; comparative treatment of, 104; ephemerality of, 173, 176, 178; French Revolution and, 105, 172–75; images of, 110, 112, 172–73; journalistic coverage of, 33, 140, 152, 157, 171–78, 171n; London und Paris’s coverage of, 171–78, 177; as subject for contemporary history, 103; temporality of, 105, 109, 114. See also carnival; Roman carnival; Saturnalia
Pückler-Muskau, Hermann von, 322, 349–53, 349n82; Briefe eines Verstorbenen (Letters of a dead man), 298, 349, 352

Ramberg, Johann Heinrich, 76
Ramtke, Nora, 365
Rang, Florens Christian, 142
Ranke, Leopold von, 276, 277, 308, 324
reading, 41–45, 61–62, 71
Reign of Terror, 49, 60, 65, 86
Reimer, G. A., 253, 256, 260–61
reproduction, 134
republication: authors’ approaches to, 346; Börne and, 39, 259, 278, 288–93; forms and contexts of, 34–36; Goethe and, 94, 119, 124–25, 135–42; Heine and, 39, 259, 278, 317–18, 320–21, 328–29, 332–33, 344–54; and irregular periodicity, 34; Jean Paul and, 35, 196–97, 202, 202n11, 208–9, 211–13, 229, 230–31, 232, 240–43; time conceptions influenced by, 39, 212–13. See also prepublication; works editions
Restoration (France), 226, 283–84
revolution: Börne and, 284, 294, 297, 300, 306–8, 310–15; conceptions of time shaped by, 33, 45–46, 88; Heine and, 316, 319, 347; historiography of, 5, 39. See also French Revolution; July Revolution
Richter, Johann Paul Friedrich. See Jean Paul
Rieder, John, 20n56
Rippmann, Inge, 302
Rippmann, Peter, 302
Roman carnival, 33, 37, 92–93, 103–5, 109–27, 134–42
Romanticism, 31, 218, 294, 347. See also Jena Romantics
Rosenkranz, Karl, 153
Rousseau, Jean-Jacques, 58, 103
Rowlandson, Thomas, 146
Russian Miscellanies, 195

Sachsen-Eisenach, Johann Ernst von, 58
satire: ancient, 77, 131, 151; fashion compared to, 76–77; French Revolution as subject of, 62; in moral weeklies, 26; in prints, 76. See also caricature; xenia
Saturnalia, 103, 109, 112, 114, 124, 126–27, 130, 135
Schiller, Friedrich, 3, 49, 98, 125, 132–33, 137, 145, 318; Sämtliche Werke (Complete works), 259
Schlegel, August Wilhelm, 3
Schlegel, Friedrich, 3, 49, 218
Schleiermacher, Friedrich, 210
Schlosser, F. C., 308, 310, 311
Schmitt, Carl, 224n, 362, 365
Schneider, Helmut J., 226n81
Schöpf, Sven, 365
Schütz, Christian Georg, 95, 99; “Aufzug des Pulcinellen-Königs” (print after), 113
Seifert, Siegfried, 63n30
sequential viewing, 28–29
serial culture, 4–5, 31, 103, 220–21, 360, 362, 364
seriality/serial forms: aesthetics of, 106–7; as archival storage, 26–28; and autonomy/individuality, 31; Börne and, 39, 45, 276–78, 285, 292–93, 300–302, 306, 308, 315; characteristics of, 4, 178; classicism and, 99; concept of, 9; criticisms of, 31; digitization and, 361–62, 364; Goethe and, 93–94, 93n3, 110–13, 118; Heine and, 39, 276–78, 317, 320–22, 331–32, 334, 337–38, 345–46, 354; and images, 29–30; Jean Paul and, 191–94, 196, 208, 214, 227–28, 239, 242, 244–45, 253, 257, 261, 263–65, 269–71; journals and, 195; literary history and, 6, 359–60, 362–64; miscellaneity and, 25–26, 196; open vs. closed, 9, 51, 69–70; periodicity of, 31–36; scholarship on, 19–20; and sequential viewing, 28–29; small forms associated with, 6, 28, 189; tableaus as form of, 65–66, 166; time structured by, 11–15, 17, 19–20, 99; untimeliness of, 15, 21, 39, 280, 359, 362; waiting as component of, 285; works editions and, 260–61. See also periodicals
serial viewing, 64, 74, 103, 111, 116
sermons, as genre employed by Jean Paul, 200, 202, 207, 209–12, 228
Simmel, Georg, 58
Sina, Kai, 139–40
small forms of publication: Börne and, 278; caricature as, 148; Goethe’s Das römische Carneval as, 80, 99–101, 121, 133, 137–38; Heine and, 278, 337; Jean Paul and, 196; and luxury, 81, 91, 100–101, 106–7, 129, 133–34, 141, 148; miscellany as, 25; positive and negative qualities of, 80–81, 99, 189; scholarship on, 9, 11; seriality associated with, 6, 28, 189; significance of, 189; visuality associated with, 28
spectacles. See public festivals
The Spectator, 2, 67, 221, 238, 247, 263
Spoerhase, Carlos, 139, 300
Steele, Richard, 2, 67, 151, 221, 238, 247
Stierle, Karlheinz, 284
Stifter, Adalbert, 192, 355–59; Adalbert Stifters Werke, 356; Vermischte Schriften (Mixed writings), 356
Stockinger, Claudia, 362
Strauß, Anton, 138
stream metaphor. See flow metaphor
street criers, 159–65, 162, 168

tableaus, 28, 29, 37, 41, 63–70, 152, 166
tableaux mouvants, 29, 51, 68, 102, 182
Talma, F. J., 295
Taschenbuch der alten und neuen Masken (Pocketbook of old and new masks), 141
Taschenbücher (pocketbooks), 5, 6, 29, 70, 76, 80, 109, 140, 191, 193, 196, 209, 215, 244, 252
Taschenbuch für das Carneval (Pocketbook for carnival), 141
Taschenbuch für Freunde und Freundinnen des Carnevals mit Illuminierten Kupfern (Pocketbook for male and female friends of carnival with illuminated plates), 141
The Tatler, 2
Tatler (magazine), 151
Tautz, Birgit, 48
Taws, Richard, 28n, 44, 173
temporalization, 7–8
Der Teutsche Merkur (The German mercury), 3, 49, 93, 101, 139, 145, 298
Thiers, Adolphe, 276, 317, 340
A Thousand and One Nights, 320
Thucydides, 340
time: biological models of, 14–20; Börne and, 1, 39, 186, 305–8; caricature and, 188–89; Christian conceptions of, 16, 203, 208, 217–18, 221, 265, 295; classicizing shape of, 18, 33, 45, 98, 109, 116, 118; contemporary history and, 203; flow as metaphor of, 12, 14, 28–29, 70, 142, 151–52, 203–8, 280; French Revolution and, 5, 22, 33, 37, 46–47, 50, 88, 97, 200; Heine and, 39; heterochronicity and, 27, 204, 206, 208; historical models of, 14–15, 21–24; Jean Paul and, 38, 192–93, 197, 200–224, 233, 236, 249; late eighteenth- and early nineteenth-century conceptions of, 7–8; linear conceptions of, 7, 14, 22, 203–5, 280; miscellaneity and, 220; modern/new, 2, 7, 16–17, 37, 200, 203, 223, 314; Napoleon’s occupation of Germany on influence of concepts of, 200; periodicals’ thematizing and structuring of, 1–2, 4–5, 7, 10–12, 32, 49, 133–34, 158–59, 220; plural character of, 205, 207–8; print media and, 12–14, 46–47, 204, 207; public festivals as measure of, 105, 109, 114; republication as occasion for reconceiving, 39, 212–13; revolutions’ effect on conceptions of, 33, 45–46, 88; seriality and, 11–15, 17, 19–20, 99; simultaneity in, 4, 13–14, 20, 22–23; Stifter and, 356–58; street criers as measure of, 163, 163n49; as threshold/twilight, 202, 206–12; untimely (various and conflicting) senses of, 15, 21, 23, 28, 39, 280, 359, 362, 365, 367–68; writing/reading and, 203–5. See also continuation; ephemerality; future; history/historiography; irregular periodicity; past; periodicity; present
Turner, Mark W., 285n
twilight, as metaphor in Jean Paul’s writings, 202, 207–12

Über Land und Meer (Across land and sea), 27
ugliness, caricature associated with, 153–54, 157, 160, 165, 179, 189
Unger (publisher), 99, 100n26
unity/coherence/wholeness: aesthetic, 18, 31, 36, 81, 91, 99, 105–6, 110–11, 116, 135, 192; ephemerality contrasted with, 17–18; Goethe’s Römische Carnival and, 102–3, 105–6, 109–11, 115–16, 135; historical/temporal, 19, 21–22, 91, 318; of works editions, 257–58. See also organicism
Das Universum (The Universe), 27
Unterhaltungsliteratur, Unterhaltungsblätter (journals for literary entertainment), 60, 149, 191, 203
untimeliness, 15, 21, 23, 28, 39, 280, 359, 362, 365, 367–68
urban sketches, 2, 10, 29, 37, 41, 64–66, 160–61

Vaterländisches Museum (Patriotic museum), 218, 219, 220
Vedder, Ulrike, 359n
Vormärz (Pre-March era [1830–1848]), 192, 201, 275n4, 276, 284, 326, 355, 362

Die Wage, Eine Zeitschrift für Bürgerleben, Wissenschaft und Kunst (The scale, a journal for public life, science, and art), 293–96, 304
Wedgwood, Josiah, 78, 134
Wedgwood vases, 30
Wegner, Reinhart, 107
Weimar, Germany, 49, 52–54
Weimar Princely Free Drawing School, 52, 53, 55, 72, 81, 116
wholeness. See organicism; unity/coherence/wholeness
Wieland, C. M., 3, 49, 79, 82, 100, 101, 137, 246
Wiener Zeitschrift fùr Kunst, Literatur, Theater und Mode (Viennese journal for art, literature, theater, and fashion), 3
Winckelmann, Johann Joachim, 78, 102, 125, 156
Winckler, Fredrich Theophil, 148, 157–58, 160–61, 163–65, 174–78, 181
Wohl, Jeanette, 284, 298
works editions: authors’ approaches to, 38, 255–60; Börne and, 285, 289; Goethe and, 124, 136–42, 253, 255–56, 258–60; Jean Paul and, 197, 224n, 240–45, 253, 255–61, 268–69; and literary history, 35; representation of author’s life and works in, 259–61, 288–89; and seriality, 260–61; Stifter and, 356
writing time, 6, 11–12, 23, 102–3, 114, 142, 314, 322

xenia (satirical verses), 131–33, 140

Young Germany, 283, 292, 326

Zeichnungen zu einem Gemälde des jetzigen Zustandes von Paris (Sketches for a painting of the current condition of Paris), 66
Die Zeiten, oder Archiv für die neueste Staatengeschichte und Politik (The times, or archive for the newest state history and politics), 214
Zeitgeschichte. See contemporary history
Zeit/Schrift (Brehm et al.), 226n80, 364–65
Zeitschriftsteller, 5, 12, 275, 293–95, 297, 305
Die Zeitschwingen (The wings of time), 286–87, 290, 295, 307
Zeitung für die Elegante Welt (Paper for the elegant world), 3, 47, 51, 220, 344–45
Zeitung für Einsiedler (Paper for hermits), 219
Der Zuschauer (The spectator), 220

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