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SHAKESPEARE AND LOSS: The Late, Great Tragedies: Epigraph

SHAKESPEARE AND LOSS: The Late, Great Tragedies
Epigraph
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Notes

table of contents
  1. Cover Page
  2. Title Page
  3. Dedication Page
  4. Epigraph
  5. Contents
  6. Preface
  7. Introduction: The Art of Our Necessities
  8. 1. Coming to Grief in Hamlet: Trust and Testimony in Elsinore
  9. 2. King Lear and the Avoidance of Charity: The Spirit of Truth in Love
  10. 3. Benefits and Bonds: Misanthropy and Skepticism in Timon of Athens
  11. 4. Losing the Name of Action: Macbeth, Remorse and Moral Agency
  12. 5. Coriolanus: Shakespeare's Private Linguist
  13. 6. Antony and Cleopatra: Shakespeare's Critique of Judgment
  14. Notes
  15. Bibliography
  16. Index
  17. Copyright Page

vi. Nothing is more important than the formation of fictional concepts which teach us at last to understand our own.

—Ludwig Wittgenstein, Culture and Value

The fate of having a self—of being human—is one in which the self is always to be found, fated to be sought, or not; recognized or not . . . this is a continuous activity, not something we may think of as an intellectual preoccupation. It is placing ourselves in the world. That you do not know beforehand what you will find is the reason the quest is an experiment or exploration.

—Stanley Cavell, Senses of Walden

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