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Unstuck in Time: Works Cited

Unstuck in Time
Works Cited
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Notes

table of contents
  1. Acknowledgments
  2. Note on Translations and Transliteration
  3. Introduction: Time’s Up
  4. 1. World War Me
  5. 2. History’s Accidental Tourists
  6. 3. The Empire Never Ended
  7. 4. Not Dead Yet
  8. 5. The Return of the Radiant Future
  9. Conclusion: Trading Russian Futures
  10. Works Cited
  11. Index

Works Cited

Entries for films and television series are at the end of the works cited.

“About DAU.” https://www.dau.com/en/about-us.

Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life, translated by Daniel Heller-Roazen. Stanford, CA: Stanford University Press, 1998.

Akopov, Eduard, Aleksei Kozuliaev, and Iulii Guzman. Park sovetskogo perioda. Moscow: Geleos, 2007.

Аkunin, Boris. Komediia. Tragediia. Moscow: Zakharov, 2015.

Aptekman, Marina. “Forward to the Past, or Two Radical Views on the Russian Nationalist Future: Pyotr Krasnov’s Behind the Thistle and Vladimir Sorokin’s Days of an Oprichnik.” Slavic and East European Journal 53, no. 2 (2009): 241–60.

Aptekman, Marina. “The Old New Russian: The Dual Nature of Style and Language in Day of the Oprichnik and Sugar Kremlin.” In Vladimir Sorokin’s Languages, edited by Tina Roesen et al. Bergen: Slavica Bergensia, 2016. https://boap.uib.no/books/sb/catalog/view/9/8/174-1.

Arsen’ev, Sergei. “Sergei Arsen’ev o svoem tvorchestve.” December 20, 2011. http://samlib.ru/a/arsenxew_s_w/about.shtml.

Arsen’ev, Sergei. Studentka, komsomolka, sportsmenka. Moscow: EKSMO, 2012.

Bacon-Smith, Camille. “Training New Members.” The Fan Fiction Studies Reader, edited by Karen Hellekson and Kristina Busse, 138–58. Iowa City: University of Iowa Press, 2014.

Ball, Tom. “Third Empire: Fantasy Novel Predicted Russian Invasion.” The Times. March 28, 2022. https://www.thetimes.co.uk/article/ukraine-russia-war-third-empire-fantasy-novel-predicted-russian-invasion-0zmgv5fz8.

Baran, Emily B. “Contested Victims: Jehovah’s Witnesses and the Russian Orthodox Church, 1990 to 2004.” Religion, State and Society 35, no. 3 (2007): 261–78.

Baran, Emily B. Dissent on the Margins: How Soviet Jehovah’s Witnesses Defied Communism and Lived to Preach about It. Oxford: Oxford University Press, 2014.

Baran, Emily B. “From Sectarians to Extremists: The Language of Marginalization in Soviet and Post-Soviet Society.” Soviet and Post-Soviet Review 46, no. 2 (2019): 105–27.

Bauman, Zygmunt. “Times of Interregnum.” Ethics and Global Practice 5, no. 1 (2012): 49–56.

Bellamy, Edward. Looking Backward. Mineola, NY: Dover Publications, 1996.

Bershidsky, Leonid. “Putin Does Live in Another Reality.” March 3, 2014. https://www.recordnet.com/story/opinion/columns/2014/03/03/putin-does-live-in-another/38581942007/.

Beumers, Birgit. Nikita Mikhalkov: Between Nostalgia and Nationalism. London: I. B. Tauris, 2004.

Beumers, Birgit. “Nostalgic Journeys in Post-Soviet Cinema: Towards a Lost Home?” In European Cinema in Motion: Migrant and Diaspora Film in Contemporary Europe, edited by Daniela Berghahn and Claudia Sternberg, 96–113. New York: Palgrave, 2010.

Bird, Robert. “Ilya Khrzhanovsky’s ‘DAU.’ January 24, 2017–February 17, 2019. Centre Pompidou, Paris, Théâtre du Châtelet, Paris, Théâtre de la Ville, Paris.” Art/Agenda, March 12, 2019. https://www.art-agenda.com/criticism/256823/ilya-khrzhanovsky-s-dau.

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Boele, Otto, Boris Noordenbos, and Ksenia Robbe, eds. Post-Soviet Nostalgia: Confronting the Empire’s Legacies. New York: Routledge, 2020.

Bogdanov, Alexander. Red Star: The First Bolshevik Utopia, translated by Charles Rougle. Bloomington: Indiana University Press, 1984.

Bonaut, Joseba, and Teresa Ojer. “Locating Generational and Cultural Clashes in the Transfer of Successful Formats between the United Kingdom, Spain and the United States: The Case of Life on Mars.” In Life on Mars: From Manchester to New York, edited by Stephen Lacey and Ruth McElroy, 153–67. Cardiff: University of Wales Press, 2012.

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Bordoni, Carlo. Interregnum: Beyond Liquid Modernity. New York: Transcript, 2016.

Borenstein, Eliot. Meanwhile, in Russia … : Russian Internet Memes and Viral Video. New York: Bloomsbury, 2022.

Borenstein, Eliot. Overkill: Sex and Violence in Russian Popular Culture. Ithaca, NY: Cornell University Press, 2008.

Borenstein, Eliot. Plots against Russia: Conspiracy and Fantasy after Socialism. Ithaca, NY: Cornell University Press, 2019.

Borenstein, Eliot. Soviet Self-Hatred: The Secret Identities of Postsocialism. Ithaca, NY: Cornell University Press, 2023.

Borenstein, Eliot. “Suspending Disbelief: Cults and Postmodernism in Contemporary Russia.” In Consuming Russia: Popular Culture, Sex, and Society since Gorbachev, edited by Adele Marie Barker, 437–62. Durham, NC: Duke University Press, 1999.

Borges, Jorge Luis. “The Aleph.” The Aleph and Other Stories, translated by Andrew Hurley, 118–33. New York: Penguin, 2004.

Bormatova, Ekaterina. “‘Ia ustal, ia ukhozhu’: 20 let fraze, kotoruiu El’tsin nikogda ne govoril.” Ekaterinburg Onlain. December 21, 2019. https://www.e1.ru/text/politics/2019/12/31/66418294/.

Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.

Bradbury, Ray. Fahrenheit 451. New York: Simon and Schuster, 2011.

Bradbury, Ray. The Stories of Ray Bradbury. New York: HarperCollins, 1983.

Buckley, William F. “Our Mission Statement.” National Review. November 19, 1955. https://www.nationalreview.com/1955/11/our-mission-statement-william-f-buckley-jr/.

Bulgakov, Mikhail. Flight, translated by Howard Colyer. Lulu.com. 2012.

Bulgakov, Mikhail. “Ivan Vasilievich.” In Russian Satiric Comedy: Six Plays, edited and translated by Laurence Selnick, 157–98. New York: Performing Arts Journal Publications, 1983.

Burnosov, Iurii. “Moskva 22.” Besposhchadnaia tolerantnost’, edited by S. V. Chekmaev, 241–60. Moscow: EKSMO, 2012.

Butler, Octavia E. Kindred. New York: Beacon, 2003.

Buttonwood. “Britain: Back to Being the Sick Man of Europe? Constructing a Scenario of British Decline Is All Too Easy.” The Economist. July 19, 2017. https://www.economist.com/buttonwoods-notebook/2017/07/19/britain-back-to-being-the-sick-man-of-europe.

Carassava, Anthee. “Euro Crisis: Why Greece Is the Sick Man of Europe.” BBC News. December 20, 2011. https://www.bbc.com/news/world-europe-16256235.

Card, Orson Scott. Ender’s Game. New York: Tor, 2021.

Cavendish, Philip. “DAU: Outside and Beyond History.” In “Soviet Playtime: Architectures of Power and Profligacy in DAU,” edited by Philip Cavendish, Natascha Drubek, and Irina Schulzki. Special issue of Apparatus: Film, Media and Digital Cultures in Central and Eastern Europe 14 (2022). https://www.apparatusjournal.net/index.php/apparatus/article/view/304/588.

Charodeyy. “Kak menia prinimali v sektu ‘svidetelei SSSR.’” February 15, 2020. https://charodeyy.livejournal.com/99377.html.

Chekmaev, Oleg, ed. Modnoverie: Ot strashnogo do smeshnogo. Moscow: Snezhnyi kom, 2017.

Chesnakov, Edvard, and Oleg Kashin. “Oleg Kashin: Est’ svidetel’stva, chto Gorbachev dralsia do poslednego za sokhranenie Sovetskogo Soiuza.” Radio Komsomol’skaia Pravda. December 8, 2020. https://radiokp.ru/podcast/otdelnaya-tema-s-olegom-kashinym/178065.

Chizhova, Elena. Kitaist. Moscow: AST, 2017.

Clowes, Edith. Russia on the Edge: Imagined Geographies and Post-Soviet Identities. Ithaca, NY: Cornell University Press, 2011.

Diachenko, Marina, and Sergei Diachenko. Armaged-Dom. Moscow: OLMA-Press, 2000.

Dick, Philip K. The Exegesis of Philip K. Dick, edited by Pamela Jackson and Jonathan Lethem. London: Gollancz, 2012.

Dick, Philip K. The Man in the High Castle. New York: Harper Voyager, 2012.

Dick, Philip K. Martian Time-Slip. New York: Harper Voyager, 2012.

Dick, Philip K. Radio Free Albemuth. New York: Harper Voyager, 2020.

Dick, Philip K. Valis. Boston: Mariner Books, 2011.

Drubek, Natascha, John Leman Riley, and Irina Schulzki, eds. “DAU: Sometimes This Space Can Hurt You.” Apparatus: Film, Media and Digital Cultures in Central and Eastern Europe 10 (2020). https://www.apparatusjournal.net/index.php/apparatus/article/view/230.

Dumai sam, dumai seichas. “2045-i. Epizod 1: Otkrovenniia byvshego millionera.” May 1, 2021. https://www.youtube.com/watch?v=OM1DQaKIVrA.

Dumai sam, dumai seichas. “Bound to Wake Up: Class Dream of Humanity.” September 26, 2019. https://www.youtube.com/watch?v=w3NtIiBjPsE.

Dumai sam, dumai seichas. “The Real Stalin.” February 20, 2020. https://www.youtube.com/watch?v=7GZBYgMlPcI.

Dumancic, Marko. Men out of Focus: The Soviet Masculinity Crisis in the Long Sixties. Toronto: University of Toronto Press, 2021.

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Dvorkin, A. L. Sektovedenie: Totalitarnye sekty. Opyt sistematicheskogo issledovaniia. Moscow: Khristianskaia biblioteka, 2000.

Eberstadt, Nicholas. “Russia the Sick Man of Europe.” National Affairs (Winter 2005): 1–20.

Efremova, Tatiana. “Beyond Nostalgia: Remediating the Soviet Body in Russian Culture under Putin.” PhD diss. New York University, 2022.

Elin, Alexander. “Nash durdom (golosuet za Putina).” Performed by Rabfak. https://www.youtube.com/watch?v=CgotKEcLjgg.

Elizarov, Mikhail, The Librarian, translated by Andrew Bromfield. London: Pushkin Press, 2015.

Englund, Will, and Kathy Lally. “In Russia, Volunteers Step Up.” The Washington Post, February 2, 2013.

Epstein, Mikhail N. After the Future: The Paradoxes of Postmodernism and Contemporary Russian Culture, translated by Anesa Miller-Pogacar. Amherst, MA: Amherst College Press, 1995.

Fedorova, Lioudmila. “The Russia They Have Lost: The Russian Gangster as Nostalgic Hero.” In A Companion to the Gangster Film, edited by George S. Larke-Walsh, 302–18. New York: Wiley-Blackwell, 2018.

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Filippov, David. “Yekaterinburg, the Russian City That Says: ‘Don’t Call Us Siberia.’” The Independent. January 7, 2017. https://www.independent.co.uk/news/world/europe/siberia-russia-city-yekaterinburg-urals-europe-asia-a7513506.html.

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Lukianenko, Sergei. “Vitia Solnyshkin i Iosif Stalin.” Zateriannyi dozor: Luchshaia fantastika 2017, edited by Aleksei Sinitsyn, 389–98. Moscow: AST, 2016.

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Films and Television

Back to the Future. Robert Zemeckis, director. Amblin Entertainment, 1985.

Back to the USSR (Nazad v SSSR). Valerii Rozhnov, creator. Magnum Productions, 2010.

Chernobyl: Exclusion Zone (Chernobyl’: Zona otchuzhdeniia). Pavel Danilov, Vasilii Kutsenko, Vitalii Shliappo, Igor Tudiasev, Dmitrii Yan, directors. TNT and TV3, 2014–2017; feature film, 2019.

Citizen Nobody (Grazhdanin Nikto). Vladimir Yankovsky, director. UPS Ukrainian Production Studio, 2016.

The Dark Side of the Moon (Obratnaia storona luny). Aleksandr Kott, creator. Kinoslovo and Sreda, 2012–2018.

DAU: Degeneration. Ilya Khrzhanovsky, director. Phenomen Berlin Filmproduktions, Phenomen Ukraine, Phenomen, 2020.

DAU: Nora. Son. Ilya Khrzhanovsky and Jekaterina Oertel, directors. Phenomen Berlin Filmproduktions, Phenomen Ukraine, Phenomen, 2020.

Day Watch (Dnevnoi dozor). Timur Bekmambetov, director. Bezelevs Productions, Pervyi Kanal, and TABBAK, 2006.

Fight Club. David Fischer, director. Fox 2000 Pictuers, Regency Enterprises, and Linson Films, 1999.

The Fog (Tuman). Artem Aksenenko and Ivan Shurkhovetskii, directors. VVP Alians and STS Media, 2010.

The Fog 2 (Tuman 2). Ivan Shurkhovetskii, creator. VVP Al’ians, 2012.

The Game. David Fincher, director. Propaganda Films, 1997.

Goodbye, Lenin! Wolfgang Becker, director. X-Filme Creative Pool, 2003.

Groundhog Day. Harold Ramis, director. Columbia Pictures, 1993.

Hedgehog in the Fog (Ezhik v tumane). Yuri Norstein, director. Soyuzmultfilm, 1975.

Idiocracy. Mike Judge, director. Twentieth Century Fox, Ternion Pictures, and Major Studios Partners, 2006.

Ivan Vasilievich Changes His Profession (Ivan Vaslievich meniaet professiiu). Leonid Gaidai, director. Released in English as Ivan Vasilievich: Back to the Future. Mosfil’m, 1973.

Jurassic Park. Steven Spielberg, director. Universal Studios and Amblin Entertainment, 1993.

Kidnapping, Caucasian Style (Kavkazskaia plennitsa). Leonid Gaidai, director, Mosfil’m, 1967.

Life Is Beautiful (La vita e bella). Roberto Benigni, director. Melampo, Cinematografica, Cecchi Gori Group, and Miramax Films, 1994.

Life on Mars. Matthew Graham, Tony Jordan and Ashley Pharoah, creators. BBC One and BBC Four, 2006–2007.

The Manchurian Candidate. John Frankenheimer, director. M. C. Productions, 1962.

Masiania, written and directed by Oleg Kuvaev.

“Doppelganger.” Episode 142, March 12, 2021. https://www.youtube.com/watch?v=qVkQif8opaA.

“How to Explain to Your Kids” (Kak ob”iasnit’ detiam). Episode 161, May 12, 2022. https://www.youtube.com/watch?v=gqAlCAAFokA&t=479s.

“The Mirror” (Zertsalo). Episode 130, October 10, 2018. https://www.youtube.com/watch?v=r9loc1UQ9ZI.

“Sankt-Mariuburg.” Episode 162, July 11, 2002. https://www.youtube.com/watch?v=s-GLAIY4DXA.

“Self-Isolation” (Samoizoliatsiia). Episode 143, April 1, 2020. https://www.youtube.com/watch?v=ZWzVBUlCxow.

“Wakizashi” (Vakizashi). Episode 160, March 22, 2022. https://www.youtube.com/watch?v=kzx_N8AjiKw.

Mirror for a Hero (Zerkalo dlia geroia). Vladimir Khotinenko, director. Sverdlovskaia kinostudiia, 1987.

Mister Nobody (Gospodin Nikto). Vladimir Iankovskii, director. UPS Ukrainian Production Studio, 2016.

Night Watch (Nochnoi dozor). Timur Bekmambetov, director. Bezelevs Productions, Pervyi Kanal, and TABBAK, 2004

Park of the Soviet Period (Park sovetskogo perioda). Iulii Guzman, director. Iug TV, Slovo, and A. G. Pictures, 2006.

The Promised Heavens (Nebesa obetovannye). El’dar Riazanov, director. Mosfil’m, Slovo, Cinebridge, 1991.

Psycho. Alfred Hitchcock, director. Shamley Productions, 1960.

“The Russians Are Here.” Frontline, Season 1, Episode 20. Ofra Bikel, director. June 13, 1983.

Sleeper. Woody Allen, director. United Artists, 1973.

Stalker. Andrei Tarkovsky, director. Mosfil’m, 1979.

The Truman Show. Peter Weir, director. Paramount Pictures, Scott Rudin Productions, 1998.

We Are from the Future (My iz budushchego). Andrei Maliukov, director. A-1 Kino Video, 2008.

We Are from the Future 2 (My iz budushchego 2). Andres Puustusmaa, director. A-1 Kino Video, 2010.

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